- 1332
吳大澂 (1835-1902)
估價
120,000 - 180,000 HKD
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招標截止
描述
- Wu Dacheng
- 臨石谷、梅壑山水
- ink on paper, set of four, framed
水墨紙本 四幀 鏡框
吳昌碩題扉頁
扉頁：
離奇變化。吳俊卿瑑耑。
款識：
〈一〉
舊藏北苑〈秋曉圖〉，追摹其法。梅壑。
則之先生評此幀為冊中第一，江上先生為述其語，余媿之。標又記。
觀二瞻倣董源，刻意秀潤，筆力微遜。江上先生秉燭屬石谷子潤色，石谷以二瞻吾黨風流神契，欣然勿讓也， 分擘渲染，點置邨屋溪橋，真所謂旌旗變色，煥若神明，他日二瞻見之定當叫絕。壽平。
〈二〉
李伯時〈寒江夜泊〉。石谷子偶臨。癸丑十月九日時在維揚之秘園。
明月在水，白雲在天。誰其圖此，曰郭恕先。玉書。
〈三〉
瀟湘水雲。方壺外史意。
煙靄微茫楚水濱，孤峰怪石鎻松筠；誰從澤畔褰芳草，吟望湘雲憶美人。為江上先生題。玉書。
〈四〉
十月河堤柳正黃，扁舟日日傍漁梁；啣杯點筆青燈下，不管秋山隱夕陽。和石谷韻。與君談笑過三秋，又戀篷窗不放休；卻似汪倫同李白，踏歌岸上送行舟。口占答王山人。江上外史。
楓葉紅時杏葉黃，江南秋色滿河梁；臨歧更寫垂楊柳，欲借長絲繫夕陽。壬子十月十九日舟中同惲南田楊子鶴別江上先生，圖此并系小詩。王翬。
毘陵舟中送別口號和石谷王郎。河干把酒到昏黃，客似鄒枚散大梁；夜向篷窗歌折柳，曉看帆影過雲陽。南田草衣惲壽平即席呈江上先生。大澂臨本。
鈐印：
〈吳大澂〉
「 愙齋」（兩鈐）、「大澂」（兩鈐）、「愙齋」、「愙齋手臨」、「愙齋臨石谷畫」（兩鈐）、「吳大澂印」（兩鈐）。
〈吳昌碩〉
「吳俊之印」。
吳昌碩題扉頁
扉頁：
離奇變化。吳俊卿瑑耑。
款識：
〈一〉
舊藏北苑〈秋曉圖〉，追摹其法。梅壑。
則之先生評此幀為冊中第一，江上先生為述其語，余媿之。標又記。
觀二瞻倣董源，刻意秀潤，筆力微遜。江上先生秉燭屬石谷子潤色，石谷以二瞻吾黨風流神契，欣然勿讓也， 分擘渲染，點置邨屋溪橋，真所謂旌旗變色，煥若神明，他日二瞻見之定當叫絕。壽平。
〈二〉
李伯時〈寒江夜泊〉。石谷子偶臨。癸丑十月九日時在維揚之秘園。
明月在水，白雲在天。誰其圖此，曰郭恕先。玉書。
〈三〉
瀟湘水雲。方壺外史意。
煙靄微茫楚水濱，孤峰怪石鎻松筠；誰從澤畔褰芳草，吟望湘雲憶美人。為江上先生題。玉書。
〈四〉
十月河堤柳正黃，扁舟日日傍漁梁；啣杯點筆青燈下，不管秋山隱夕陽。和石谷韻。與君談笑過三秋，又戀篷窗不放休；卻似汪倫同李白，踏歌岸上送行舟。口占答王山人。江上外史。
楓葉紅時杏葉黃，江南秋色滿河梁；臨歧更寫垂楊柳，欲借長絲繫夕陽。壬子十月十九日舟中同惲南田楊子鶴別江上先生，圖此并系小詩。王翬。
毘陵舟中送別口號和石谷王郎。河干把酒到昏黃，客似鄒枚散大梁；夜向篷窗歌折柳，曉看帆影過雲陽。南田草衣惲壽平即席呈江上先生。大澂臨本。
鈐印：
〈吳大澂〉
「 愙齋」（兩鈐）、「大澂」（兩鈐）、「愙齋」、「愙齋手臨」、「愙齋臨石谷畫」（兩鈐）、「吳大澂印」（兩鈐）。
〈吳昌碩〉
「吳俊之印」。
Condition
-Calligraphy of Wu Changshuo is in good condition. Some foxing and creases can be found in one painting, otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：康熙九年至十二年（1670-1673）間，王翬、查士標先後為笪重光作臨古山水冊九開，具同期書畫、收藏家張玉書、張則之、惲南田諸家跋，見於〈虛齋名畫錄〉。本幅即臨自該冊，因遞傳中失群散佚，現僅四幀。
吳大澂一生為官，詩畫乃閒情餘事，以「畫無定格供揮灑，詩不求工適性情」的心態追求筆墨情趣。其畫以仿古為宗，遠法董巨，近師王惲，尤好石谷，嘗評王畫「試看此畫中有詩，縱疏橫密無不宜」，又自刊「愙齋臨石谷畫」印，推許之甚，於此見矣。所師者，非止於畫法，更涉林泉清靜之境，証諸本幅，淨墨為之，山林秋曉，具蒼渾之色；江巖惜別，見昏鴉歸樹之景，兼取二瞻法，蓋王查兩家亦取前賢遺韻矣。
又據缶老題耑曰「離奇變化」，直指自清初遠接宋元，變化而不離其宗，追摹而不失其神，此亦愙齋繪事之長也！
吳大澂一生為官，詩畫乃閒情餘事，以「畫無定格供揮灑，詩不求工適性情」的心態追求筆墨情趣。其畫以仿古為宗，遠法董巨，近師王惲，尤好石谷，嘗評王畫「試看此畫中有詩，縱疏橫密無不宜」，又自刊「愙齋臨石谷畫」印，推許之甚，於此見矣。所師者，非止於畫法，更涉林泉清靜之境，証諸本幅，淨墨為之，山林秋曉，具蒼渾之色；江巖惜別，見昏鴉歸樹之景，兼取二瞻法，蓋王查兩家亦取前賢遺韻矣。
又據缶老題耑曰「離奇變化」，直指自清初遠接宋元，變化而不離其宗，追摹而不失其神，此亦愙齋繪事之長也！