于非闇 (1889-1959)

設色紙本 鏡框

款識：
碧池悠漾小鳧雛，兩兩依依祗自娛；
釣艇忽移還散去，寒鴟有意即相呼。
可憐翠翡歸雲髻，莫羨鴛鴦入畫圖；
幸是羽毛無取處，一生安穩老菰蒲。擬元人筆。非闇。

鈐印：「于照之印」、「非闇」。

藏印：「順德日升堂藏」、「日升堂壬寅藏畫展紀念」。

香港收藏家「順德日升堂」李博文氏舊藏
香港蘇富比，一九八六年十一月，中國書畫拍賣，編號97

〈名家翰墨〉第18期，于非闇特集（香港，翰墨軒，一九九一年七月），頁133
〈藝術巨匠‧于非闇〉（河北教育出版社，二○一二年八月），頁155

-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：于氏吸收前人技法，博納眾長，自出己貌。本幅曰「擬元人筆」，或借鑒元人陳琳〈溪鳧圖〉、趙孟頫〈汀草文鴛圖〉，綜合兩家，改二畫之橫幅為立軸，繪雙鳧於汀巖，添蘆葦石竹花，名托古人，實出己意。畫上題晚唐詩人吳融〈池上雙鳧二首〉之一，構圖衍生自詩意，意趣高簡，構圖平實，水繞汀巖，坡草數叢，雙鳧靜伏，石竹花開，蘆葦二三姿帶搖曳，雙鳧碧池相依，雖無鴛鴦毛翎亮麗，卻得安居於菰蒲深處。瘦金書兩行濃墨長題於左側，令畫面呈均衡之局。

本幅平實中見清幽工整，雙鳧極盡鉤勒法之落筆精微，淡墨勾形，依類賦彩，雄者毛色鮮亮故前置，頭以墨底加靛藍，豔麗不失沉著，白頸圈下胸部軟毛以藤黃加朱膘調墨染畫，而兩翼、尾羽，以及腹部羽毛皆依部位搭配不同顏色畫出羽毛形狀、色彩與質感之別，最後再以極細狼毫蘸赭石畫胸部、白粉畫通體絨毛。雌者居後，顏色殊少，然用筆設色精心，毫不遜色。淡墨勾水紋染坡地，濃墨點綴矮草，蘆葦不著勾染，以色墨寫出，與雙鳧用筆之精微形成對比，工寫結合，亦是于氏花鳥細而不板的絕竅之一。從書畫風格與用印習慣判斷，本幅應為一九四○、四一年間所作。