邵逸軒 1886-1954

設色紙本 立軸

款識：
閣外雲山隔岸峰，去帆漠漠帶雲容；
新涼喚起蘋花夢，緩步來看拂水松。
浙東邵逸軒寫。

鈐印：「逸軒」。

展覽及著錄：
紐約，文良精美中國畫廊，〈邵逸軒與京華雅集．第三輯〉，二〇〇七年三月十九日至四月廿一日，並刊於目錄，圖版7

Signs of restoration can be found on the right, especially at the blank area of the lower right corner. Otherwise, generally in fair to good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：民國年間北京畫壇呈現南風北漸，南地畫家為主導之局面，浙江東陽邵逸軒即享負時名的藝術家之一。邵氏於二十年代執教於國立北平藝專，兼任其堂兄邵飄萍所辦〈京報〉藝術副刊編輯，與齊白石、黃賓虹、張大千諸畫家交善，梅蘭芳、王瑤卿等伶界名宿皆隨其習畫。逸軒山水得自石濤者最多，重寫一己胸臆，勝過皴法形式追求。本幅寫雲山渺渺，帆影張張，青松以濃墨點綴其間，得氣象開闊之勢，文人清逸之趣，大千指出傅抱石山石樹法曾師法邵氏，許是從其畫中窺見大滌子真意。