- 1296
徐悲鴻 (1895-1953)
估價
3,500,000 - 4,500,000 HKD
Log in to view results
招標截止
描述
- Xu Beihong
- 徐悲鴻 天都松雲
- ink and colour on paper, hanging scroll
設色紙本 立軸 一九三八年作
畫家署簽
簽書：黃山。
款識：
破碎山河顛倒樹，不成圖畫更傷心。
廿七年夏日，距與大千、稚柳同游黃山將及三年，寇雰如此，再見天都，未知何日。錄清湘詩，不勝慨然。悲鴻時客渝州。
鈐印：「東海王孫」。
畫家署簽
簽書：黃山。
款識：
破碎山河顛倒樹，不成圖畫更傷心。
廿七年夏日，距與大千、稚柳同游黃山將及三年，寇雰如此，再見天都，未知何日。錄清湘詩，不勝慨然。悲鴻時客渝州。
鈐印：「東海王孫」。
來源
歐洲私人收藏
Condition
-Insects bites and cracks can be found along the borders, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：一九三八年正值抗日戰爭全面爆發，滬、寧相繼淪陷；南京大屠殺持續數月；徐州、武漢會戰接連失利，國人痛心無措。徐悲鴻是年所作多抒發對國難之憂心，〈負傷之獅〉、〈側目〉等題材最有寄意，自畫像則作仰天長嘆狀，題「遙看群動息，伫立待奔雷」 以寄託心境。本幅借張鶴野題石濤畫作之詩句，點明旨意，畫家誤為清湘自撰，「破碎」為原詩「零碎」之誤，卻更具悲憤噴薄之力；詩典出唐高蟾〈金陵晚望〉：「曾伴浮雲歸晚翠，猶陪落日泛秋聲。世間無限丹青手，一片傷心畫不成。」改「畫不成」為「畫」，國家危難下，身為畫家，惟以一紙丹青，藉筆墨以作「匕首投槍」之用，激勵國民奮起驅寇，悲鴻性格中豪邁愛國一面盡現筆底！一九三五年秋，徐悲鴻與時任教中央大學的張大千同攜學生赴黃山寫生，謝稚柳同行，觀一路煙雲，盡興而歸；不復三年，悲鴻隨校內遷重慶，大千亦不任教席。是歲九月，二人重逢於桂林，暢敘別情，無奈國難之下來去匆匆，回憶昔日共游黃山佳事，盡毀於「寇雰如此」，不知何日才能故地重游，心感慨然者，又何止藝術家一人？
悲鴻山水題材數量少於動物、人物。三十年代晚期多水墨氤氳之作，以〈灕江春雨〉為代表，本幅亦此期典型面貌，且尺幅較大，與翌年春之〈羅浮山色〉尺幅相若，構圖頗類。畫中近景寫坡石雙松，遠景以幾近潑墨之筆畫得群山，一實一虛，拉開空間；古松兩株相依而生，提筆縱橫，粗幹之遒健、樹皮之滋潤，枝椏之偃仰佈勢，皆得生拙意趣；松針則先染花青，復以墨筆點出，筆筆蒼勁。遠山畫法實借鑒西方水彩，以淨墨出之，益顯中國水墨之特色，乃畫家筆下「元氣淋灕障猶濕」之表現。
〈徐悲鴻年譜長編〉「一九三八年」條記載：「（六月）收到廣州德國醫生柯道博士一函，稱德國駐廣州總領事阿登伯對徐畫備致愛慕……懇求徐氏寄八九幅至廣州，徐即托人攜畫九幅至港……德副領事康培……選購〈黃山〉……」本幅似屬當年裝裱，且具悲鴻自書簽，源出自德國收藏，與年譜提及者脗合，或為同幅，待考。
參考資料：一九三九年之〈羅浮山色〉可參見〈張宗憲珍藏中國近代書畫〉（香港蘇富比有限公司，二〇〇二年六月），圖版147〈徐悲鴻年譜長編〉，王震編著（上海畫報出版社，二〇〇六年十二月），頁189
悲鴻山水題材數量少於動物、人物。三十年代晚期多水墨氤氳之作，以〈灕江春雨〉為代表，本幅亦此期典型面貌，且尺幅較大，與翌年春之〈羅浮山色〉尺幅相若，構圖頗類。畫中近景寫坡石雙松，遠景以幾近潑墨之筆畫得群山，一實一虛，拉開空間；古松兩株相依而生，提筆縱橫，粗幹之遒健、樹皮之滋潤，枝椏之偃仰佈勢，皆得生拙意趣；松針則先染花青，復以墨筆點出，筆筆蒼勁。遠山畫法實借鑒西方水彩，以淨墨出之，益顯中國水墨之特色，乃畫家筆下「元氣淋灕障猶濕」之表現。
〈徐悲鴻年譜長編〉「一九三八年」條記載：「（六月）收到廣州德國醫生柯道博士一函，稱德國駐廣州總領事阿登伯對徐畫備致愛慕……懇求徐氏寄八九幅至廣州，徐即托人攜畫九幅至港……德副領事康培……選購〈黃山〉……」本幅似屬當年裝裱，且具悲鴻自書簽，源出自德國收藏，與年譜提及者脗合，或為同幅，待考。
參考資料：一九三九年之〈羅浮山色〉可參見〈張宗憲珍藏中國近代書畫〉（香港蘇富比有限公司，二〇〇二年六月），圖版147〈徐悲鴻年譜長編〉，王震編著（上海畫報出版社，二〇〇六年十二月），頁189