- 1290
張大千 (1899-1983)
估價
1,600,000 - 2,000,000 HKD
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招標截止
描述
- Zhang Daqian (Chang Dai-chien, 1899-1983)
- 張大千 寫意仕女
- ink on paper, hanging scroll
水墨紙本 立軸 一九三二年作
款識：
松盦老兄知予最早，得予畫亦最多，獨無予寫意仕女。新秋晴朗，訪予山中，因以唐六如、吳小仙兩家筆法為此，以博賞音一笑。壬申七月初四日。大千弟張爰。
鈐印：「張爰印」、「大千」、「大風堂」。
款識：
松盦老兄知予最早，得予畫亦最多，獨無予寫意仕女。新秋晴朗，訪予山中，因以唐六如、吳小仙兩家筆法為此，以博賞音一笑。壬申七月初四日。大千弟張爰。
鈐印：「張爰印」、「大千」、「大風堂」。
來源
香港蘇富比 ，一九九三年十月，中國書畫拍賣，編號893
Condition
-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：大千先生成名甚早，初以擅畫水仙，享「張水仙」美譽，復以石濤筆墨畫風獲時人賞。如本幅題跋所示，「松盦老兄」於一九三二年已「知予最早，得予畫亦最多」，恐怕是其早期的支持最力者，惜未考其生平耳！
松盦既獨無大千筆下寫意仕女，遂綜合唐寅、吳偉兩家法寫此以呈。是時，大千仕女已擺脫初習改七薌、費曉樓之畫風，上窺明人，以其性格靈活變通，不受覊絆，毋拘於一家法，既取六如娟秀規整一路，兼容小仙灑脫放逸之風格，正是文武相濟，貫通融匯，自成面貌。
畫中所見仕女，臉容端莊，神情温婉，雙唇緊合，眼瞼微微下垂，目光落於虛處，似若有所思，一手覆於胸前，一手曲垂其下，體態神情，雖非纖弱，卻流露內歛含蓄之個性。如斯處理，類近六如筆下之閨秀，惟衣紋描劃趨縱放，運筆提頓含勁，綫條爽利，尤以濃墨粗筆補綴長披垂腰之束帶，粗獷醒目處，亟見汲取明代浙派畫風，正是吳小仙面貌影響之痕迹，無論吳門、浙派，畫家在作品中調和融鑄，一爐共冶。事實上，相類調合之仕女畫一直延續到三十年代晚期，隨運用純熟而越加精鍊。待西陟敦煌後，筆下仕女又提升至另一境界了！
松盦既獨無大千筆下寫意仕女，遂綜合唐寅、吳偉兩家法寫此以呈。是時，大千仕女已擺脫初習改七薌、費曉樓之畫風，上窺明人，以其性格靈活變通，不受覊絆，毋拘於一家法，既取六如娟秀規整一路，兼容小仙灑脫放逸之風格，正是文武相濟，貫通融匯，自成面貌。
畫中所見仕女，臉容端莊，神情温婉，雙唇緊合，眼瞼微微下垂，目光落於虛處，似若有所思，一手覆於胸前，一手曲垂其下，體態神情，雖非纖弱，卻流露內歛含蓄之個性。如斯處理，類近六如筆下之閨秀，惟衣紋描劃趨縱放，運筆提頓含勁，綫條爽利，尤以濃墨粗筆補綴長披垂腰之束帶，粗獷醒目處，亟見汲取明代浙派畫風，正是吳小仙面貌影響之痕迹，無論吳門、浙派，畫家在作品中調和融鑄，一爐共冶。事實上，相類調合之仕女畫一直延續到三十年代晚期，隨運用純熟而越加精鍊。待西陟敦煌後，筆下仕女又提升至另一境界了！