陳蔭羆

款識：
GEO. CHANN（左下）藝術家鈐印（畫背）

藝術家家屬
現任美國藏家直接購自上述來源

This work is in good condition. There is light undulation across the surface due to mounting. There is evidence of very minor craquelure along the left and right edges. There is a paint loss 10 cm from the top edge and 11 cm from the right edge. There are scattered light tears at the top right corner and in the middle of the canvas, presumably inherent to the artist's working method. There is no restoration under UV.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「陳氏晚期的抽象畫作，讓我們體驗到其精妙的色感和亂中有序的佈局能力，同時證明了他做為一個純抽象畫家既嚴謹又不乏詩情的藝術氣質。在此階段，文字符號已全然消失，點、線、色的書寫運用也變得更純粹、自由和有機化。但見紗白的線條，貫串在色點繽紛的畫面上、或綿綿不盡、或斷斷續續，或重重疊疊，色斑與律動線條的完融搭配，一如音符元素與整曲旋律的對位關係。」

藝評家石瑞仁