陳蔭羆

款識：
GEO CHANN（右下）

藝術家家屬
美國私人藏家直接購自上述來源

This work is in good condition. There is a paint loss long at along top right edge at the top. There is evidence of craquelure across the surface of the work. There is no evidence of restoration under UV.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「陳蔭羆回返闊别22年的中國，內心必然有著難以言說的震動與感動。『作為一個中國人』這件事，是否就此提醒了（或強化了）陳蔭羆自我身份的認定尚不得知，但無疑地是，陳蔭羆1950年代以降的作品顯示了他已由甲骨文、篆、隸、楷、草等書法筆觸中，萃取抽象意味濃厚的視覺元素作為他創作的基底，開創了陳蔭羆帶有『中國式抽象內涵』和『中國意韻』的風格典型，並以此開展了他的畢生認證文化身份的藝術工程。」

李思賢《藝術作為生命歷程的倒影─對陳蔭羆藝術道路和文化認同的體察》