陳蔭羆

executed in the 1960s-1970s

亞洲私人收藏

〈陳蔭羆個展〉上海美術館，上海，二〇〇五年七月十九日至三十一日

〈陳蔭羆〉大未來畫廊藝術有限公司出版，台北，二〇〇五年，一百〇七頁

This work is in good condition. There are dot-size holes and abrasions scattered along both top and bottom edges. Some minor craquelure can be seen on the surface, but only visible upon close inspection. There is very slight bulging along the left edge of the stretcher as well as the left end of the bottom edge, but neither is obtrusive to viewing. There is evidence of fluorescence under UV light, but presumably inherent to the artist's working method.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「回眸百年來中國美術的歷史進程，我們雖忘不了那些求學歐洲的投石者，卻數不清那些是闖蕩北美的問路人；而陳蔭羆，應該是一位有所建樹的現代藝術急先鋒。」
上海美術館執行館長李向陽