趙春翔

款識：
春翔Chao 88 N.Y.C.（左上）

亞洲私人收藏

This work is in good condition. There is stable craquelure and scattered paint loss across the surface. A thin film of dust covers the general surface. There is a tear, approximately 2 centimeters in length, 11 centimeters from the right corner. Under UV light there appears no sign of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「趙春翔用筆講究動勢，揮寫與潑塗並用，無視傳統文人畫筆墨程式的框框。胸有成竹，無意於佳，法無定法，突破前人成規。『大膽落筆，細心收拾』，他反覆更改、疊加色墨，製造畫面扣人心弦的緊張感，又能審形度勢，以理性的平衡任性的潑灑，找尋平和專注的境界……趙春翔將書中的理念、物性、時間、層次交錯加疊，共生共存並行不駁，讓東西方文化的認知特徵在畫中不期而遇，引申出另一種關於社會文化的呈現方式和視覺的陌生狀態。『任何藝術作品僅僅根據內在需求而選定屬於自身的形式』。趙春翔的藝術探索，來自他所處現實的生存感受，有感而發。他以生命為材質，憑其倔傲不羈的性格，不為物役，不趨俗不媚俗，我行我素，進而達到自由的境地。」
香港中文大學藝術系副教授 周晉