- 170
清十八世紀上半葉 銅胎掐絲琺瑯花卉紋卷書式座
描述
- Gilt-Bronze Cloisonne
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
A related example, but with a figural scene in the centre on a similar diaper ground, from the Sedgwick collection, was included in the Oriental Ceramics Society exhibition The Arts of the Ming Dynasty, London, 1957, cat. no. 331; and another, in the Pierre Uldry Collection, is illustrated in Helmut Brinker and Albert Lutz, Chinese Cloisonne: The Pierre Uldry Collection, Zurich, 1985, pl. 174. See also a taller stand of related shape, described as a bench, sold in our New York, 17th April 1985, lot 319.
Compare also a stand from the Qing Court collection and still in Beijing, published in Zhongguo jinyin boli falangqi quanji [Complete book of gold and silver wares, glass wares and cloisonne enamels], vol. 6, Shijiazhuang, 2002, p. 54, pl. 73, with a brocade motif of flower heads dotted evenly over the design; and a cloisonné enamel armrest published in Beatrice Quette, ed., Cloisonne. Chinese Enamels from the Yuan, Ming, and Qing Dynasties, New Haven and London, 2011, pl. 67, attributed to the Kangxi period.
A low lacquer stand of very similar proportions and shape, decorated with flowers on a similar diaper ground and bearing a Kangxi reign mark is included in LeeYu-kuan, Oriental Lacquer Art, Tokyo, 1972, p. 207, pl. 142, where it is mentioned that ‘this type of work was very popular during K’ang-hsi’s reign and was made at the imperial workshop under the supervision of Liu Yuan’. A cloisonne rectangular censer and cover, bearing a Qianlong reign mark, sold in these rooms, 8th April 2011, lot 3187, also employs a diaper design as the main decoration. Given the quality and simplicity of the decoration, it is suggested that the present stand is also made at the imperial workshop.