- 17
向京 異境系列: 彼處 著色玻璃纖維 二〇一一年作
估價
500,000 - 600,000 HKD
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招標截止
描述
- Xiang Jing
- painted fiberglass
款識
6-3, 向京, 2011
6-3, 向京, 2011
Condition
This work is generally in good condition. Upon close inspection, there are a few gentle scratch marks above back of the dog's head.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
向京一九六八年出生於北京文藝世家，一九九五年畢業於中央美術學院雕塑系，同年舉辦首展，被稱為「天才」藝術家。一九九九年至二〇〇七年任上海師範大學美術學院雕塑工作室教師，二〇〇七年起與丈夫—— 藝術家瞿廣慈一起成立X+Q 雕塑工作室，現工作和生活於北京。
「通過身體說話」曾經是向京的個人標誌之一。在兩個系列——〈保持沉默〉（2003-2005）以及〈全裸〉（2006-2007）裡，向京一直在女性身體這個主體性線索上進行思考。一些重要的個人作品如《你的身體》（2005）、《敞開者》（2006）和《一百個人演奏你？還是一個人？》（2007）等等通過藝術家的幾個不同創作階段〈處女〉系列、〈身體〉系列以及〈全裸〉系列來宣告了這種語言的日臻成熟，包括對雕塑語言的實驗，以及在創作、布展時用空間和鏡像等多種語言來映射，最終反射出藝術家在女性本體之外探討超越「性別」，並用身體作為一個命題來說明某個群體和世界關系的探索。2011 年個展《這個世界會好嗎？》用〈雜技〉和〈動物〉兩個系列對「處境」和「人類命運」的話題提出追問，也開啟了向京藝術的全新面貌。
「通過身體說話」曾經是向京的個人標誌之一。在兩個系列——〈保持沉默〉（2003-2005）以及〈全裸〉（2006-2007）裡，向京一直在女性身體這個主體性線索上進行思考。一些重要的個人作品如《你的身體》（2005）、《敞開者》（2006）和《一百個人演奏你？還是一個人？》（2007）等等通過藝術家的幾個不同創作階段〈處女〉系列、〈身體〉系列以及〈全裸〉系列來宣告了這種語言的日臻成熟，包括對雕塑語言的實驗，以及在創作、布展時用空間和鏡像等多種語言來映射，最終反射出藝術家在女性本體之外探討超越「性別」，並用身體作為一個命題來說明某個群體和世界關系的探索。2011 年個展《這個世界會好嗎？》用〈雜技〉和〈動物〉兩個系列對「處境」和「人類命運」的話題提出追問，也開啟了向京藝術的全新面貌。