- 372
阿凡迪
估價
780,000 - 980,000 HKD
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招標截止
描述
- Affandi
- 《紅馬》
- 款識:畫家簽名並紀年1969
- 油畫畫布
- 94.5 x 127公分;37 x 50英寸
Condition
The work is in good condition overall. The canvas is clear and sound. There are indications of minor wear and handling, along with associated paint loss on the upper and lower right corner. Under ultraviolet light inspection there is no evidence of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
"Affandi’s artistic practice can be described as an emotional expression of his feelings towards humanity based on his own observations and personal psyche. When painting, he is known to enter a trance-like frenzied state, only to end when he completes the work... For Affandi, the elimination of the painting brush in favour of his hands better conveys the complexity and depth of humanity."
Astri Wright, Soul Spirit and Mountain, 1994