- 341
勒邁耶
估價
2,400,000 - 3,500,000 HKD
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招標截止
描述
- Adrien Jean Le Mayeur De Merprès
- 《廟宇中》
- 款識：畫家簽名；題款並標記 No. 19（背面）
- 油畫畫布
- 76 x 90公分；29 3/4 x 35 1/4英寸
- 此作附畫家自選畫框
來源
直接購自畫家
Condition
The work is in good condition overall, as is the canvas, which is clear and taut. There are indications of wear and handling around the margins but paint layers are well-preserved and in stable condition. Under ultraviolet light inspection, restoration was found on the floor (lower middle register). Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
勒邁耶是印尼現代藝術史上極為重要的人物，峇里島在他的印象派畫風下美輪美奐，啟發了幾代藝術家與旅者。這份對美的堅持奠定了他的藝術哲理。
勒邁耶受高更在大溪地的作品影響，同樣選擇在另類文化的異國情調中尋找繆斯。1932年，五十二歲的勒邁耶旅至峇里島，與當地人民建立起深厚的感情，餘生為這片土地與其孕育的人文作畫。
《廟宇中》所展現的是勒邁耶最愛題材之一，三個峇里女子優雅席地而坐，宛如美惠女神般靈秀動人。其中一人望向遠處，另外二人則正喃喃細語，畫家巧妙捕捉這一親暱時刻，讓觀者也可近身參與其中。
勒邁耶真正的繆斯女神是他娶為妻子的雷貢舞者妮·帕洛（Ni Pollock）。此畫中坐在陽傘旁的女子便是伊人，她全神貫注於同伴，對外間世界渾然不覺。雖然她的身子略微傾向觀者，但目光卻在別處，越發撩人。
小島燦爛的陽光下色彩鮮豔豐富，勒邁耶以短而有力的粗獷筆觸記錄下這光芒與繁色。畫中女子頭戴木槿，與樹上紅花和地上粉簇相互呼應，尤見大自然的如詩炫麗。
勒邁耶受高更在大溪地的作品影響，同樣選擇在另類文化的異國情調中尋找繆斯。1932年，五十二歲的勒邁耶旅至峇里島，與當地人民建立起深厚的感情，餘生為這片土地與其孕育的人文作畫。
《廟宇中》所展現的是勒邁耶最愛題材之一，三個峇里女子優雅席地而坐，宛如美惠女神般靈秀動人。其中一人望向遠處，另外二人則正喃喃細語，畫家巧妙捕捉這一親暱時刻，讓觀者也可近身參與其中。
勒邁耶真正的繆斯女神是他娶為妻子的雷貢舞者妮·帕洛（Ni Pollock）。此畫中坐在陽傘旁的女子便是伊人，她全神貫注於同伴，對外間世界渾然不覺。雖然她的身子略微傾向觀者，但目光卻在別處，越發撩人。
小島燦爛的陽光下色彩鮮豔豐富，勒邁耶以短而有力的粗獷筆觸記錄下這光芒與繁色。畫中女子頭戴木槿，與樹上紅花和地上粉簇相互呼應，尤見大自然的如詩炫麗。