- 278
黎譜
估價
1,100,000 - 1,600,000 HKD
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招標截止
描述
- Le Pho
- 《斟茶仕女圖》
- 款識：畫家簽中英文名並蓋印
- 墨、水粉絹本，裱於畫板
- 61 x 45公分；24 x 17 1/2英寸
Condition
The work is in good condition overall, as is the silk, free from runs and holes. There is a faint rub to the silk (located on the woman's right arm), but paint layers are well-preserved and stable. Under ultraviolet light inspection, there is no evidence of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
二十世紀越南繪畫的含蓄委婉被黎譜在《斟茶仕女圖》中徐徐道出。畫家深明絹畫之理，一張上好的日本柞絲綢貼於板上，再小心把膠水推出邊緣，晾乾後翌日施之墨與水粉。兩種媒材一東一西，又兼用古今技法，配合得當。黎譜在此畫中專注於仕女及茶兩個元素，演繹茶藝風華。
有說茶實源自越南，在其北部安沛、義路等地便有大批野茶樹，相傳始於中石器時期的和平文化，由此可見，越南的茶文化根深蒂固。新採綠葉，或是荷花、菊花與藻類，皆可入茶。茶是禮節，更是品詩賞畫間不可或缺的良伴。
畫中仕女身穿素淨越式旗袍，是嚴謹的越南服飾在三十和四十年代現代化後之物。仕女席地而坐，右手持茶壺，恭敬地斟茶，眉目舉止間無不散發優雅綽約之氣。
《斟茶仕女圖》中，黎譜運用西方視點，又以中國書法之筆法勾勒線條，配合輕柔的粉色調，和諧養目。畫家利用絹畫特點，表現微妙層次關係，技巧可見一斑。
「黎譜天生知曉如何表達女子的婷婷姿態，花間美人，歡悅明亮。即便與其時許多畫家所走路線不同，這份天賦使他重現清純之美，回歸自然之本。」
有說茶實源自越南，在其北部安沛、義路等地便有大批野茶樹，相傳始於中石器時期的和平文化，由此可見，越南的茶文化根深蒂固。新採綠葉，或是荷花、菊花與藻類，皆可入茶。茶是禮節，更是品詩賞畫間不可或缺的良伴。
畫中仕女身穿素淨越式旗袍，是嚴謹的越南服飾在三十和四十年代現代化後之物。仕女席地而坐，右手持茶壺，恭敬地斟茶，眉目舉止間無不散發優雅綽約之氣。
《斟茶仕女圖》中，黎譜運用西方視點，又以中國書法之筆法勾勒線條，配合輕柔的粉色調，和諧養目。畫家利用絹畫特點，表現微妙層次關係，技巧可見一斑。
「黎譜天生知曉如何表達女子的婷婷姿態，花間美人，歡悅明亮。即便與其時許多畫家所走路線不同，這份天賦使他重現清純之美，回歸自然之本。」