陸儼少 (1909-1993)

款識：
此西峽頌摩崖處也，記之。儼少。

鈐印：「儼少印」、「穆如」。

藏印：「鳳清重裝章」。

〈陸儼少自敍〉（上海書畫出版社，一九八六年五月一日），圖版5
〈榮寶齋畫譜山水部分─陸儼少繪〉（北京，榮寶齋出版社，一九九六
年），頁27

-Minor signs of restoration along the right-top border. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

私人收藏陸儼少「訪碑讀碑」系列作品（編號1214-1215）

一九六○年，陸儼少仍以被劃「右派」身份接受「勞動改造」，得〈楊淮表記〉碑拓，遂起意於漢碑，「無事諦讀，亦足娛性」。所讀者亦擴及〈爨寶子〉、〈西峽頌〉等。賞玩之餘，以其「甚有禆於筆墨」，遂寫有多幅以訪碑、賞碑、校碑為題之作，篇幅俱為盈尺斗方，本輯兩幅皆其中之作。圖中所見如「訪碑」者，則示登山涉水，攀奇蹈險之探訪過程；而賞讀者，則為築居草廬，靜處其中，校勘研析，「挹其奇趣」。筆下蒼鬱樸茂，肅穆渾厚，氣息奇古。時受政治環境壓抑之情，遂寄託於與前賢藝術契合之境，以排憂解悶，今人讀之，可體會畫家之寄意了！

參考資料：
陸儼少一九六○年作之「訪碑讀碑」系列作品可參見〈陸儼少畫集〉（上海人民美術出版社，一九八七年十月），圖版19；及〈陸儼少全集〉卷二（浙江人民美術出版社，二○○八年十月）頁16-19