拍品 3053
  • 3053

清乾隆 銅胎掐絲琺瑯「纏枝蕃蓮」圖貫耳壺 《乾隆年製》款

估價
1,800,000 - 2,500,000 HKD
招標截止

描述

  • 《乾隆年製》款
the pear-shaped body supported on a short splayed foot, rising to a slightly waisted neck and a flanged rim, set with two tubular lug handles joined by two raised gilt-bronze fillets, finely enamelled on each side with a large multi-coloured lotus flower wreathed by curling foliage shaded in tones of green and tendrils issuing further buds and yellow and white blossoms, all reserved on a bright turquoise ground, the lug handles picked out with floret sprays against a dark purplish-blue ground, the rims and the base set in gilt, the latter cast with a four-character reign mark in positive script within a recessed panel

來源

法國貴族收藏
巴黎蘇富比2007年12月6日,編號84

Condition

There is a 1 x 1 cm dent in the enamels restored with wax on one side, but overall the vase is in quite good condition. The gilded area and the cloison wires retain most of their gilding.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

It is interesting to note the depiction and subtle synthesis of the traditional with the innovative on this charming vase. The form is based on the archaic bronze hu ritual vessel, a form that was revived in ceramic wares during the Song period. While the overall symmetrical composition and floral blooms are rendered in the typical Ming style, the curling foliage does not follow the more simplified and robust vines found on Ming vessels. The depiction of leaves and ‘C’ scrolls on the present vase is more closely related to European Baroque foliate scrolls that gained popularity in the Qing court.

Compare Qianlong vases of this type, but with varying handles, such as one offered in these rooms, 11th April 2008, lot 2810; and a larger pair said to have been made as part of a set of tableware used by the Qianlong Emperor for formal banquets, illustrated in Chuimei Ho and Bennet Bronson, Splendors of China’s Forbidden City. The Glorious Reign of Emperor Qianlong, London, 2004, pl. 244.