- 3612
周綠雲
估價
80,000 - 120,000 HKD
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招標截止
描述
- Zhou Luyun (Irene Chou)
- 宇宙便是吾心之二
- 設色紙本
鏡框
鈐印
「松江周綠雲作畫之印」
「松江周綠雲作畫之印」
來源
現藏者直接購自畫家
展覽
《宇宙即吾心，吾心即宇宙：周綠雲作品集》孫靈芝（香港 藝術中心）2003年2月20日－三月19日，93頁
Condition
There are several horizontal creases to the paper, otherwise in good condition. Some red colored finger-marks are visible, possibly from the artist's application of her seal. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
周綠雲是新水墨時期極具影響力的藝術家之一，將傳統中國書畫轉化為她心中大膽設想的宇宙。儘管她探索各種創作媒介的運用方法，例如油彩、水彩及壓克力，然而觀其熟練的作品，卻能發現她總以水墨表達出最強烈的聲音。其作品中強而有力、抑揚頓挫的筆觸，構圖的有機形態、揮灑自如的色彩運用，投射出萬物再生的意象，濃縮了蘊含堅忍與意志的宇宙觀。《宇宙便是吾心之二》標誌著其藝術事業後期的重要階段，於 1992年嚴重中風後倖存，後來更努力不懈地堅持創作，更與以往憂鬱的風格截然不同，這次傷痛的經歷卻啟迪她對佛教思想的興趣，對她的觀念帶來顯著改變，更為悠然自在。