María-Helena Vieira da Silva

Galerie Jeanne Bucher, Paris
Andre Bernheim Collection, Paris
Galeria Cordeiros, Porto
Acquired directly from the above by the present owner circa 2000

Paris, Galerie Jeanne Bucher, María Helena Vieira da Silva, 1960, n.p., no. 7, illustrated
Paris, Grand Palais, Salon d'Automne, 1961
Mannheim, Die Stadliche Kunsthalle, Vieira da Silva, 1961, n.p., no. 20, illustrated
Eindhoven, Stedelijk van Abbe-Museum, Kompas. 1945-1961 Schilders uit Parijs, 1961-62, n.p., no. 81, illustrated
Tokyo, Salon de Mai au Japon, 1962, n.p., no. 82, illustrated
Montréal, Musée de Montréal; Québec, Musée du Québec, Peinture Française Contemporaine, 1963, n.p., no. 47, illustrated
Grenoble, Musée de Peinture et de Sculpture, Vieira da Silva, 1964, p. xii, no. 47, illustrated
Turin, Museo Civico, Vieira da Silva, 1964, p. 185, no. 93, illustrated
Le Mans, Foyer de Theatre, Maitres de la Peinture Contemporaine, 1965, n.p., illustrated
Saint-Paul de Vence, Fondation Maeght, Dix Ans d'Art Vivant, 1967, n.p., no. 247, illustrated in colour
Paris, Musée National d'Art Moderne, Vieira da Silva: Peintures 1935-1969, 1969
Rotterdam, Museum Boijmans Van Beuningen, Vieira da Silva, 1969-70
Oslo, Kunstnernes Hus, Vieira da Silva, 1970
Basel, Kunsthalle, Vieira da Silva, 1970
Lisbon, Fundação Calouste Gulbenkian, Vieira da Silva, 1970, p. 124, no. 137, illustrated
Porto, Galeria Nasoni, Vieira da Silva, n.p., no. 13, illustrated in colour
Sao Paulo, Museu de Arte, Vieira da Silva, 1987, p. 69, no. 28, illustrated in colour
Lisbon, Fundação Calouste Gulbenkian; Paris, Galeries Nationales du Grand Palais, Vieira da Silva, 1988, p. 107, illustrated
Madrid, Fundacion Juan March, Vieira da Silva, 1991, p. 78, no. 35, illustrated in colour
Brussels, Musées Royaux des Beaux-Arts, Vieira da Silva, p. 108, illustrated

Nello Ponente, Peinture Moderne: Tendances Contemporaines, Milan 1960, p. 47, illustrated in colour
Guy Weelan and Jean-François Jaeger, Vieira da Silva: Monographie, Geneva 1993, p. 269, illustrated in colour
Guy Weelan and Jean-François Jaeger, Vieira da Silva, Catalogue Raisonné, Geneva 1994, p. 347, no. 1721, illustrated

Colour: The colours in the catalogue illustration are fairly accurate. Condition: This work is in very good condition. Upon very close inspection, there is extremely light intermittent wear towards the edges and extreme corner tips. Examination under ultra-violet light revelas a few spots which flouresce darker in places along the top and left extreme edges.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."