L13023

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拍品 162
  • 162

Jean Dubuffet

估價
100,000 - 150,000 GBP
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招標截止

描述

  • 尚·杜布菲
  • Site Aléatoire avec un Personnage
  • signed with the artist's initials and dated 82
  • acrylic on paper laid down on canvas
  • 68 by 100cm.; 27 3/4 by 39 3/8 in.

來源

Galerie Jeanne Bucher, Paris
Acquired directly from the above by the present owner

出版

Max Loreau, Catalogue Raisonné des Travaux de Jean Dubuffet, fasc. XXXV: Sites Aléatoires, Paris 1986, p. 14, no. 15, illustrated

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is brighter and more vibrant in the original. Condition: This work is in very good condition. Close inspection reveals extremely light wear to all four corners with a tiny associated surface loss to the top left corner tip. There is a tiny media accretion adhering to the paper approximately 10cm in from the centre right edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

“[The figures] heighten the evocative power of the place portrayed… Their presence gives the place the necessary existence and vitality without which it might remain to the observer merely a network of incomprehensible planes and lines. The figures have the function of a catalyst that triggers the imagination.” The artist cited in Bâtons Rompus, Paris 1986, p. 64