L13023

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拍品 135
  • 135

Jan Schoonhoven

估價
180,000 - 250,000 GBP
招標截止

描述

  • Jan Schoonhoven
  • R72-73-M-10
  • signed, titled and dated 1973 on the reverse
  • painted papier-mâché on wood
  • 126 by 86cm.; 49 5/8 by 33 7/8 in.

來源

Galerie und Kunsthandlung Franz Sweter, Darmstadt
Kunsthandel Lambert Tegenbosch, Heusden aan de Maas
Acquired directly from the above by the present owner

Condition

Colour: The colours in the catalogue illustration are fairly accurate. Condition: This work is in very good condition. Close inspection reveals extremely fine and unobtrusive hairline cracks running intermittently along where the relief joins the back board. Further close inspection reveals a very light handling mark on the lower edge towards the lower left corner and two minute specks of paint loss beneath the centre of the extreme left hand edge and a few isolated cracks to the papier-mâché corner joins. No restoration is apparent when examined under ultra-violet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

“I was fascinated by the way Klee’s drawings and painting, constructed and assembled with rigorous detail to form their strict compositions and subjects, always retained an element of imagination. Without being aware of it at the time, I felt that it was precisely this stringent order that allowed for the multi-faceted and mysteriously rich associations.” (The artist translated and cited from Atelier 5, Jan J. Schoonhoven, Leverkusen, 1981)