十七世紀 黃花梨四出頭官帽椅

each with an arched crestrail joined to a wide S-curved rectangular splat, the stiles similarly curved, on a hard-caned seat with elegantly outscrolled arms above beaded and shaped brackets and aprons, the legs joined to the frame by tapering dovetail housing joins surmounting long beaded moldings, joined by four typically ascending stretchers from front to back rail, the underside with a pair of transverse braces (2)

The armchairs have been reduced in height and the stretchers moved. One splat has with a patch joining it to the crestrail indicating a previous break which also explains the repairs to breaks to both posts where they join the crestrail. The other armchair with restored break to join where the arm meets the front post. The armchairs both with spandrels beneath the arms, some of the brackets and aprons replaced.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present pair of yokeback armchairs, predominantly plain with circular members of consistent thickness and truncated outscrolled ends, focuses the eye on the balance of the form, the negative space and subtle undulating movement within the linear form. This form is generally more comfortable than straight or C-curved examples, maximized by the S-shaped cut through the concentric growth rings of the timber. This type of large yokeback armchair is one of the core elements of the classical Chinese household and many examples are preserved in major museums and private collections. 

For a general discussion on the basic model and decorative vocabulary of these chairs, see Curtis Evarts, 'From Ornate to Unadorned'. Journal of the Chinese Classical Furniture Society, Spring 1993, pp. 24-33. A closely related armchair, part of an exhibit, is illustrated in Beyond the Screen, Chinese Furniture of the 16th and 17th Centuries, Museum of Fine Arts Boston, Catalogue, 1996, no. 8., p. 104 and a pair in another exhibit, Splendor of Style: Classical Furniture from the Ming and Qing Dynasties, National Museum of History, Catalogue, Beijing, 1999, p. 82.  A pair of armchairs of similar form sold in these rooms 12th September 2012, lot 218.