唐 彩繪騎馬俑

the well-modeled rider sitting upright with the left hand poised as if to tug on the reins, wearing a long gown, cropped jacket and a balaclava draped over the head, the facial features, sensitively rendered, convey a determined and focused demeanor, the horse standing foursquare on a plinth, its head slightly lowered in a compliant gesture, mouth open, covered overall with a pale yellow glaze and further ornamented with colorful pigments defining the rider's head, face and robes, the saddle cloth, mane, reins and eyes, ears, nose and mouth of the horse, wood stand, with fitted box (3)

東京繭山龍泉堂，購於1960 - 1969年間

《龍泉集芳》，卷1，繭山龍泉堂，東京，1976年，第71頁，品號188

《世界陶磁全集》，卷9，東京，1961年，圖版105

There are the expected restored breaks to all four legs and to the plinth. The tail and one arm of the figure has been restored. General wear and loss of pigment.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

A very similar figure is illustrated in James C.Y. Watt, China, Dawn of a Golden Age, 200-750 AD, The Metropolitan Museum of Art, New York, 2004, no. 183.