拍品 124
  • 124

李津 竹風醒晚醉,窗月伴秋吟 設色紙本 鏡框 二零一三年作

估價
180,000 - 250,000 RMB
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描述

  • Li Jin
  • colour and ink on paper
款識
《竹風醒晚醉,窗月伴秋呤》
鈴印
藝術家鈐印四方

來源

中國私人收藏

Condition


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

飲食男女 - 李津的畫

有人說過,李津是用中國水墨畫找魯本斯感覺的人。早年的《無題》(拍品編號127)人物的軀幹和主體部分非常誇大,腿和腳收的特別小,形成細與粗的對比,便追求這種魯本斯式的表達。
阿克曼在對話李津時,說,李津的畫裡只畫一個男人,就是他自己。這個畫裡的男人表面上看很簡單,就是吃飯、玩女人,但卻一直心存憂慮,很少百分之百的享受。李津坦率地說,畫自己既不是故意,也沒什麼自覺——這個單眼皮、大鼻頭、有鬍鬚的男人形象,其實是無意中形成的,就是對自己的發現。他進一步說:“一個人,是兩面,把鬍子去掉就是一個女人,把鬍子加上就是我,是男人。實際上那種細膩的感覺,比如慵懶或者是很水、很凝視的眼神,包括眉宇之間的動作和角度都是我關注的。”這就是出現在《蔭涼有意》(拍品編號126)中的“李津式”男女。
李津相信:“所有的當代性必須要依附在語言裡,我不追求語言上有多大革新,只是我的想法和題材有變化。”堅持“我現在所做的就是用傳統的中國畫材料來關注當代社會,關注我自己的生活”。《竹風醒晚醉,窗月伴秋吟》(拍品編號124)中,畫家以天才的筆墨能力,描繪自己所熱愛的美食:烤鴨、青蔥、鮮魚、紅燒肉、蘿蔔等,無不散發著令人垂涎的滋潤感,通過美食,傳遞鮮活的世俗生活氣息。