郎靜山 楓橋夜泊 銀鹽相紙 一九九一年作

款識：
藝術家鈐印（左下）藝術家題詞 壬申百零一叟靜山集錦 藝術家鈐印（右上）

亞洲重要私人收藏

This work is in good condition. There is evidence of light foxing across the surface of the work consistent with the natural aging process of the medium.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：作品右上之題詞為唐代張繼《楓橋夜泊》詩句

楓橋夜泊

中國現代攝影大師郎靜山，從14歲即開始接觸攝影，畢生投入「集錦攝影」。此為中國攝影一絕，他以多張底片在暗房做蒙太奇的效果，創造一種充滿畫意的個人風格，融合中國傳統繪畫中的山水意境，超脫了攝影的基本限制，而創造出一種充滿美善的想像空間。

郎靜山曾說：「我主張在技巧上，應吸收西方科學文明，使照相不再是難事；但要談到藝術視界，無論取景或色調，我都認為應多研究國畫中所蘊含的旨趣。我做集錦照片，是希望以最寫實，最傳真的攝影工具，融合我國固有畫理，以一種善意的理念，實用的價值創造出美的作品。」此《楓橋夜泊》即為其集錦攝影之經典代表，郎靜山以其個人獨創的手法，呈現了一個在滿月之夜晚所見的動人風景，融合己身對於古代文人的崇敬與古典詩詞的感悟，創此迷濛畫境，讓人眼見難忘。