龐均 春滿狀元樓 油彩畫布 二〇一三年作

款識：
龐均 2013 均（右下）

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This work is in excellent condition. There is no evidence of restoration under UV.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

春滿狀元樓
龐均的風景作品，源自豐富的寫生經歷，其不辭勞苦走遍中華大地，使得繪畫過程融會真情實感，對於景物元素的把握亦更為準確。《春滿狀元樓》以穩重的三角形展開布局，前景盛放的桃花有如帷幕往兩邊拉開，露出正中空間，引領觀眾進入後景，一窺古代民居的白牆玄瓦的端莊、樸素之美。

除了著重黑白色彩與桃紅之對比，藝術家更強調「不用油，行筆法」的著色技巧，拖拉而下，逆筆上推的運筆產生畫面質感，與此同時，亦具有水墨一般下筆即不可修改的特性，由此賦予作品一氣呵成的生動氣韻。