- 111
十七世紀 粉青釉「太獅少獅」 連 鎏金銅座
估價
8,000 - 12,000 GBP
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招標截止
描述
- porcelain
modelled seated with its young frolicking beside, its front paw raised holding a beribboned brocade ball, the head looking upward with pierced round eyes and a semi-opened mouth revealing its fangs, detailed with a tightly curled mane and tail, all supported on a rocky base, covered in a rich sea-green glaze, set in gilt-bronze ormolu mounts
來源
Edouard Chappey收藏，至約1902年
Alberto Bruni Tedeschi收藏
倫敦蘇富比2007年3月21日，編號95
Alberto Bruni Tedeschi收藏
倫敦蘇富比2007年3月21日，編號95
Condition
There is a repair to the tip of the tail, where it has ben re-applied. There is an area of loss to the ribboning to the brocade ball and an 8cm crack running from the base below this area. There are also several areas to the base that have been ground down to the body. There is some losses to the lower section of the flower at the base and an area of infilling and a firing crack to the interior base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
本品「佛獅戲繡球」之題材富有吉祥寓意，獅子矯健威猛，生氣勃勃，喻意祥瑞，象徵對位高權重者的祝願。傳統以來，佛獅常見坐立於底座上，雌獅有少獅相伴，雄獅則戲繡球。本品乃為出口市場燒製，故有為迎合西方市場作出調整。
同 帶鎏金銅座之一對作例可見於巴黎羅浮宮收藏內，圖刊於DF Lunsigh Scheurleer，《Chinesisches und Japanisches Porzellan in Europaischen Fassungen》，維爾茨堡，1980年，圖版376。同藏內另有一對作例連帶座鐘，圖版380。前述兩對作例皆為康熙年製。巴黎尼辛德康盟多博物館（Musée Nissim de Camondo）典藏內亦見一對十七世紀德化白瓷作例，同帶鎏金銅座， 載於同上，圖版384。一對素胎加彩作例錄於Ulrich Pietsch，《China, Japan. Meissen. The Dresden Porcelain Collection》，德累斯頓， 2006年，頁29。該書指出瓷獅塑像在康熙時期大量燒製以供國內外市場需求。此等佳作於歐洲廣作粉飾傢居之用，本品上的歐洲製底座足可證明這一點。
同 帶鎏金銅座之一對作例可見於巴黎羅浮宮收藏內，圖刊於DF Lunsigh Scheurleer，《Chinesisches und Japanisches Porzellan in Europaischen Fassungen》，維爾茨堡，1980年，圖版376。同藏內另有一對作例連帶座鐘，圖版380。前述兩對作例皆為康熙年製。巴黎尼辛德康盟多博物館（Musée Nissim de Camondo）典藏內亦見一對十七世紀德化白瓷作例，同帶鎏金銅座， 載於同上，圖版384。一對素胎加彩作例錄於Ulrich Pietsch，《China, Japan. Meissen. The Dresden Porcelain Collection》，德累斯頓， 2006年，頁29。該書指出瓷獅塑像在康熙時期大量燒製以供國內外市場需求。此等佳作於歐洲廣作粉飾傢居之用，本品上的歐洲製底座足可證明這一點。