拍品 104
  • 104

清乾隆 銅胎畫琺瑯開光式「壽石花鳥」圖三層長方蓋盒 《大清乾隆年製》款

估價
60,000 - 80,000 GBP
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描述

  • 《大清乾隆年製》款
  • canton enamel
of rectangular form, the top brightly painted with a rectangular cartouche enclosing two birds amongst flowering peony branches issuing from pierced rocks, reserved on composite floral scrolls against a purple ground, the front and back of each tier similarly decorated, the sides enamelled with stylised kui dragon scrolls against a purple ground of floral scrolls, the interior enamelled turquoise, inscribed on the base of each tier with a six-character Qianlong seal mark

Condition

There is some resotration to one interior panel and one exterior one (with the butterfly) to the top narrower tier. The top left corner of the kui dragon to the side of the narrow tier has a 0.5x0.5cm area of loss and sympathetic restoration. There is also an area of restoration to one corner of the exterior of this tier. The lower left corner of kui dragon on one side of the wider tiers has a 1 x 0.3cm area of repair. There are areas of restoration to the corner and sides of the cover and to the left side of the pictoral panel to the top surface. Light scratchings on the exterior.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

本品畫工細緻入微,反映十八世紀廣州琺瑯畫匠聞名天下之精湛工藝。時至乾隆年間,中國銅、瓷及琉璃胎畫琺琅之製作技藝已臻化境。本品以纏枝花紋作地,開光中飾花鳥蟲石各式畫面,富麗堂皇,盡顯乾隆之奢華品味。旁邊以深藍料飾仿古夔龍紋,色調與上海博物館藏著名八瓣葵花形蓋盒可資比較,見沈之瑜(編),《上海博物館》,紐約,1983年,圖版235、236。另一件八瓣蓋盒同以藍色為主調,上繪細密纏枝花卉紋,為典型廣州琺琅器,刊於《清代廣東貢品》,香港,1987年,圖版49。

此作構圖別出心裁,兩側纏枝花卉上飾仿古夔龍紋,不但絢麗繽紛,又似可作手柄之用,應為仿效古代玉石刻上之龍紋而作。參見一東陵石龍紋板,展於《清代服飾展覽》,台北故宮博物院,台北,1986年,編號226;及倫敦大英博物館藏一玉龍紋帶鉤,載於Jessica Rawson,《Chinese Jade from the Neolithic to the Qing》,倫敦,1995年,頁326,圖6。

相關蓋盒包括一例,繪開光式山水圖,刊於Michael Gillingham,《Chinese Painted Enamels》,牛津,1978年,編號53;另有一五棱葵口多層蓋盒,圓開光中飾各種折枝花卉,同以藍料繪仿古夔龍紋,錄於《故宮博物院藏文物珍品全集:金屬胎琺瑯器》,香港,2002年,圖版210;及二件藍地纏枝花卉紋作例,見同上圖版230、232。