清康熙 豇豆紅釉鏜鑼洗 《大清康熙年製》款

洗呈鏜鑼式，斂口，矮扁腹，淺圈足。釉色勻整，紅艷似霞，綴稀疏苔點，濃淡相宜。底有青花三行六字楷款。

1930-40年代購於上海

《暫得樓清代官窰單色釉瓷器》，上海博物館、首都博物館、香港中文大學文物館，2005年，編號3

Helen D. Ling 及仇炎之，《抗希齋珍藏歷代名瓷影譜》，卷2，香港，1950年，圖版82

Apart from a few minute pinholes and specks of kiln grit on the interior, the overall condition is very good. The actual colour is very close to the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

此類豇豆紅釉鏜鑼洗，曾於御窰廠大量燒製，然因銅紅釉難以掌控，極少成品得此鮮亮釉色。本品呈色艷紅通徹，微綴苔點，乃豇豆紅釉之上品。為駕馭銅紅之易變，瓷匠嘗以「吹紅」之式，將紅釉覆於一層透明釉上，後再罩一層透明釉藥，此技乃康熙朝製瓷之重要創新，或因過程嚴苛繁複，豇豆紅釉燒製時期短暫，後不復現。

北京故宮藏一件豇豆紅釉筆洗，發色亦濃，載於《故宮博物院藏文物珍品全集‧顏色釉》，香港，1999年，圖版19。另有鏜鑼洗例，紅釉亮艷，帶淺細苔點，屬上海博物館藏品，刊於《上海博物館藏‧康熙瓷圖錄》，香港，1998年，圖版208。