Peter Hayes

Purchased directly from the artist by the Jerwood Foundation in 2003

Ragley Hall, Warwickshire (2003 to present).

The patina is worn in places. There are a few small spots of verdigris on the back, at the feet, on the left hand side, and in front of the small figure. There are spots of staining and debris, which is consistent with the piece being exhibited outside. Please telephone the department on +44 207 293 6424 if you have any questions regarding the present lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Bench is an exceptionally rare example of Hayes' work in the medium of bronze. His oeuvre consists primarily of ceramics, having been initially inspired by the Neolithic Iron Age and Roman samien shards which he excavated in Wales during his time as a student. Seeking to push the boundaries of materials in order to achieve certain finishes and textures, Hayes uses methods which are slightly beyond his control and incorporate an element of randomness- such as leaving pieces in the Cornish sea bed in order to oxidise the surface or using clays which explode or crack at will in the kiln in a relatively accidental fashion. This element of external involvement is present in Bench, as it is meant to be used as a place of seated reflection, the rich patination of the bronze slowly changing through continual use. Captivated by artefacts and objects from other cultures and other times, Hayes spent a large part of a decade travelling extensively and the present work recalls his visit to an African village, where he was silently observed by a group of villagers.