PF1202

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拍品 23
  • 23

tabatière en pierre dure montée en or sertie d'une micromosaïque signée Calandrelli, la tabatière par Camillo Picconi, Rome, vers 1820

估價
10,000 - 15,000 EUR
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描述

  • tabatière en pierre dure montée en or sertie d'une micromosaïque signée Calandrelli, la tabatière par Camillo Picconi, Rome, vers 1820
  • hardstone, gold, glass micromosaic
  • Long. 9,9 cm ; 4 in
rectangulaire, la tabatière en serpentine verte, le fermoir à collerette ciselé d'un panier de fleurs, le panneau décoré d'une vue de l'Arc de Constantin bordé de feuilles, poinçon de maître et de la ville de Rome

rectangular, the box of green serpentine, the raised thumbpiece chased with a basket of flowers, the panel inlaid with a view of the Arch of Constantine within a leaf-tipped border, maker's mark and Rome town mark



Condition

collection Bulgari Rome label, micromosaic a little dirty but in very good condition, box has traces of glue where panel and mounts have been re-attached and slight gap to right of thumbpiece, haircrack at back left corner, but generally good impression.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

The mosaicist Calandrelli has been tentatively identified with the Roman gem-engraver Giovanni Calandrelli (working 1812-1832) but Alvar Gonzalez-Palacios's attribution to one Tomaso Calandrelli, recorded in the archives of the Reverenda Fabrica di S. Pietro around 1825, is now widely accepted (Charles Truman, The Gilbert Collection of Gold Boxes, vol.II, Los Angeles, 1999, p. 100).