- 625
祝允明 1460-1526
估價
150,000 - 250,000 USD
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招標截止
描述
- Zhu Yunming
- 祝允明 草書梅花詠 水墨紙本 二十三開冊 兩冊
- ink on paper, album of twenty-three double leaves, set of two
款識：
〈一〉梅花詠一韻：
古梅、早梅、庭梅、官梅、江梅、溪梅、嶺梅、野梅、憶梅、夢梅、尋梅、問梅、探梅、索梅、觀梅、賞梅、友梅、寄梅、評梅、歌梅、別梅、惜梅、折梅、剪梅、浴梅、浸梅、簪梅、裝梅、蟠梅、接梅、補梅、苔梅、杏梅、臘梅、竹梅、雪梅、月梅、風梅、煙梅、露梅、雨梅、孤梅、移梅、諫梅、老梅、斬梅、矮梅、遠梅、落梅、瘦梅、宮梅、簷梅、寒梅、咀梅、盆梅、紅梅、粉梅、千葉梅、鴛鴦梅、綠萼梅、胭脂梅、西湖梅、東閣梅、清江梅、羅浮梅、孤山梅、漢宮梅、廨宇梅、書窗梅、琴屋梅、碁墅梅、釣磯梅、樵涇梅、僧舍梅、道院梅、柳營梅、茆舍梅、蔬圃梅、藥畦梅、前村梅、驛館梅、照水梅、山中梅、城頭梅、水竹梅、水月梅、擔上梅、杖頭梅、隔簾梅、照鏡梅、十月梅。
〈二〉二月梅、未開梅（錯錄二月梅詩）、未開梅、乍開梅、半開梅、全開梅、水墨梅、畫紅梅、別梅、歌梅、惜梅、折梅、剪梅、浴梅、浸梅、簪梅、裝梅、蟠梅、接梅、補梅、苔梅、杏梅、臘梅、竹梅、雪梅、月梅、風梅、煙梅、露梅、雨梅、孤梅、移梅、諫梅、老梅、新梅、矮梅、落梅、遠梅、瘦梅、宮梅、簷梅、寒梅、咀梅、盆梅、紅梅、粉梅、千葉梅、鴛鴦梅、綠萼梅、胭脂梅、西湖梅、東閣梅、清江梅、羅浮梅、孤山梅、漢宮梅、廨宇梅、書窗梅、琴屋梅、棋墅梅、釣磯梅、樵涇梅、僧舍梅、道院梅、柳營梅、茆舍梅、蔬圃梅、藥畦梅、前村梅、驛館梅、照水梅、山中梅、城頭梅、水竹梅、水月梅、擔上梅、杖頭梅、隔簾梅、照鏡梅、十月梅、二月梅、未開梅、乍開梅、半開梅、全開梅、水墨梅、畫紅梅、玉笛梅、紙帳梅。
馮海粟梅花詩直抒心得，不依傍古人，余最愛讀之。尋山問水，輒攜之往，覺清芬盈袖。客有同余好者，時相與哦詠，謂此詩不得子書，其異不傳。余謂佳篇，拙筆如龍蛇不類，不反為海翁累哉。客固請，方酒半，朗吟長嘯，放時縱毫，彌夕而竟其半，越明日，遂乘興終之，費隃糜汁半升。客輾然曰：「海翁構思，子搦管，俱有神行，其間非俗人所得揣摩也。」藏之以為世珍。枝指生祝允明。
鈐印：「允明」、「祝晞哲」、「枝指生」。
藏印：「心賞」（二鈐）、「如蘭居」、「酒社詩壇小狀元」、「口席草堂」、「落落居士」、「曾收吳丁補園中」（二鈐）、「暫得於己」（二鈐）、「口口長留天地間」、「落花盈我衣」、「逍遙遊」、「名士風流」（二鈐）、「春草閒房」、「墨濤」（二鈐）、「康禧周口六世孫口國寶藏印」（二鈐）、「縈月山房」、「萸香閣」、「貞庵」（半印）、「堂書畫印」（半印）。
〈一〉梅花詠一韻：
古梅、早梅、庭梅、官梅、江梅、溪梅、嶺梅、野梅、憶梅、夢梅、尋梅、問梅、探梅、索梅、觀梅、賞梅、友梅、寄梅、評梅、歌梅、別梅、惜梅、折梅、剪梅、浴梅、浸梅、簪梅、裝梅、蟠梅、接梅、補梅、苔梅、杏梅、臘梅、竹梅、雪梅、月梅、風梅、煙梅、露梅、雨梅、孤梅、移梅、諫梅、老梅、斬梅、矮梅、遠梅、落梅、瘦梅、宮梅、簷梅、寒梅、咀梅、盆梅、紅梅、粉梅、千葉梅、鴛鴦梅、綠萼梅、胭脂梅、西湖梅、東閣梅、清江梅、羅浮梅、孤山梅、漢宮梅、廨宇梅、書窗梅、琴屋梅、碁墅梅、釣磯梅、樵涇梅、僧舍梅、道院梅、柳營梅、茆舍梅、蔬圃梅、藥畦梅、前村梅、驛館梅、照水梅、山中梅、城頭梅、水竹梅、水月梅、擔上梅、杖頭梅、隔簾梅、照鏡梅、十月梅。
〈二〉二月梅、未開梅（錯錄二月梅詩）、未開梅、乍開梅、半開梅、全開梅、水墨梅、畫紅梅、別梅、歌梅、惜梅、折梅、剪梅、浴梅、浸梅、簪梅、裝梅、蟠梅、接梅、補梅、苔梅、杏梅、臘梅、竹梅、雪梅、月梅、風梅、煙梅、露梅、雨梅、孤梅、移梅、諫梅、老梅、新梅、矮梅、落梅、遠梅、瘦梅、宮梅、簷梅、寒梅、咀梅、盆梅、紅梅、粉梅、千葉梅、鴛鴦梅、綠萼梅、胭脂梅、西湖梅、東閣梅、清江梅、羅浮梅、孤山梅、漢宮梅、廨宇梅、書窗梅、琴屋梅、棋墅梅、釣磯梅、樵涇梅、僧舍梅、道院梅、柳營梅、茆舍梅、蔬圃梅、藥畦梅、前村梅、驛館梅、照水梅、山中梅、城頭梅、水竹梅、水月梅、擔上梅、杖頭梅、隔簾梅、照鏡梅、十月梅、二月梅、未開梅、乍開梅、半開梅、全開梅、水墨梅、畫紅梅、玉笛梅、紙帳梅。
馮海粟梅花詩直抒心得，不依傍古人，余最愛讀之。尋山問水，輒攜之往，覺清芬盈袖。客有同余好者，時相與哦詠，謂此詩不得子書，其異不傳。余謂佳篇，拙筆如龍蛇不類，不反為海翁累哉。客固請，方酒半，朗吟長嘯，放時縱毫，彌夕而竟其半，越明日，遂乘興終之，費隃糜汁半升。客輾然曰：「海翁構思，子搦管，俱有神行，其間非俗人所得揣摩也。」藏之以為世珍。枝指生祝允明。
鈐印：「允明」、「祝晞哲」、「枝指生」。
藏印：「心賞」（二鈐）、「如蘭居」、「酒社詩壇小狀元」、「口席草堂」、「落落居士」、「曾收吳丁補園中」（二鈐）、「暫得於己」（二鈐）、「口口長留天地間」、「落花盈我衣」、「逍遙遊」、「名士風流」（二鈐）、「春草閒房」、「墨濤」（二鈐）、「康禧周口六世孫口國寶藏印」（二鈐）、「縈月山房」、「萸香閣」、「貞庵」（半印）、「堂書畫印」（半印）。
Condition
- Overall in good condition except maximum 6 unrestored wormholes with longest one measuring 2.6 x 0.2 cm on the first two and the last two double leaves.
- Paper bears a tanning tone due to age.
- The ink color of the actual piece is darker than that of the illustration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
Artist's inscription:
Feng Haisu's poetry on plum blossom expresses his heart directly, without relying on the classics. I love reading it. Whenever I venture out to the mountains and waters, I always bring it with me, and it fills my sleeves with a pure fragrance. A friend who shares my passion once chanted and composed the poems with me, saying that they must be committed to calligraphy by me because otherwise their uniqueness would be not transmitted. I said: Feng's fine works and my own humble calligraphy are incompatible like dragons and snakes; is the latter not a burden on Haiweng? My friend insisted. Tipsy with pure wine, I chanted and sang freely and loudly as I let my brush run free throughout the night and finished half the poems. When the next day came, I finished them all in high spirits. In all I had used half a litter of ink. My friend laughed and said, 'Haiweng's ideas and your calligraphy are both inspired, neither to be comprehended by common people.' He thus kept this as a treasure. Zhizhisheng Zhu Yunming.
Feng Haisu's poetry on plum blossom expresses his heart directly, without relying on the classics. I love reading it. Whenever I venture out to the mountains and waters, I always bring it with me, and it fills my sleeves with a pure fragrance. A friend who shares my passion once chanted and composed the poems with me, saying that they must be committed to calligraphy by me because otherwise their uniqueness would be not transmitted. I said: Feng's fine works and my own humble calligraphy are incompatible like dragons and snakes; is the latter not a burden on Haiweng? My friend insisted. Tipsy with pure wine, I chanted and sang freely and loudly as I let my brush run free throughout the night and finished half the poems. When the next day came, I finished them all in high spirits. In all I had used half a litter of ink. My friend laughed and said, 'Haiweng's ideas and your calligraphy are both inspired, neither to be comprehended by common people.' He thus kept this as a treasure. Zhizhisheng Zhu Yunming.