- 606
沈宗騫 （約1745-1793）
估價
7,000 - 9,000 USD
招標截止
描述
- Shen Zongqian
- 沈宗騫 山水 水墨紙本 鏡框 一七八一年作
- ink on paper, framed
簽書：
沈芥舟墨筆山水真跡。高氏寶硯齋搜藏。
款識：
宋人重骨幹，嘗筆餘於墨；元人重氣韻，嘗墨餘於筆。石田、衡山諸家皆欲追蹤宋人，於是不甚重墨，而骨幹究亦前後略殊。至於其流，不失之躁暴，即失之浮薄。華亭董思翁起衰弊之餘，倡明元人墨法，一時士大夫靡然從之。故自國初至今，論六法者，雖不能盡得宋人骨力，而元人墨法，猶能舉目而即見也。辛丑（1781）閏月，芥舟沈宗騫。
鈐印：「沈宗騫印」、「芥舟」、「上下千年」、「研灣老圃」。
沈芥舟墨筆山水真跡。高氏寶硯齋搜藏。
款識：
宋人重骨幹，嘗筆餘於墨；元人重氣韻，嘗墨餘於筆。石田、衡山諸家皆欲追蹤宋人，於是不甚重墨，而骨幹究亦前後略殊。至於其流，不失之躁暴，即失之浮薄。華亭董思翁起衰弊之餘，倡明元人墨法，一時士大夫靡然從之。故自國初至今，論六法者，雖不能盡得宋人骨力，而元人墨法，猶能舉目而即見也。辛丑（1781）閏月，芥舟沈宗騫。
鈐印：「沈宗騫印」、「芥舟」、「上下千年」、「研灣老圃」。
拍品資料及來源
Artist's inscription:
The Song masters emphasized skeleton, and their brush exceeded their ink. The Yuan masters emphasized spirit resonance, and their ink exceeded their brush. The likes of Shitian (Shen Zhou, 1427-1509) and Hengshan (Wen Zhengming, 1470-1559) all wanted to pursue the Song masters and thus did not pay ink much attention, and in skeleton too they were ultimately a bit different from their predecessors. As for their followers, they were either too rash or too superficial. In eliminating decadence, Dong Siweng (Dong Qichang, 1555-1636) promoted the ink-based style of the Yuan, and the literati all followed him. Thus from the beginning of the dynasty until now, among painters no one truly has the skeleton of the Song, whereas the ink of the Yuan can still everywhere be seen. The leap month of the xinchou year (1781), Jiezhou Shen Zongqian.
The Song masters emphasized skeleton, and their brush exceeded their ink. The Yuan masters emphasized spirit resonance, and their ink exceeded their brush. The likes of Shitian (Shen Zhou, 1427-1509) and Hengshan (Wen Zhengming, 1470-1559) all wanted to pursue the Song masters and thus did not pay ink much attention, and in skeleton too they were ultimately a bit different from their predecessors. As for their followers, they were either too rash or too superficial. In eliminating decadence, Dong Siweng (Dong Qichang, 1555-1636) promoted the ink-based style of the Yuan, and the literati all followed him. Thus from the beginning of the dynasty until now, among painters no one truly has the skeleton of the Song, whereas the ink of the Yuan can still everywhere be seen. The leap month of the xinchou year (1781), Jiezhou Shen Zongqian.