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清十八世紀 銅鎏金四臂觀音坐像
估價
40,000 - 60,000 USD
招標截止
描述
portrayed seated in dhyanasana with the principal hands joined in anjalimudra, the other two hands each holding a lotus flower and the main bead of a mala, the head crowned with an elaborate five-leaf diadem securing the hair swept in a topknot surmounted by the head of Amitabha, the face with downcast eyes and a gentle smile, wearing a dhoti with an antelope skin and scarves draped over the shoulders, adorned with jewelry and seated on a lotus pedestal, the base plate incised with a double vajra
來源
1960年代購於中國，自此由家族收藏。
Condition
There scattered scratches on the surface and very minor nicks along the edges of the scarves. There are small indentations to the fingers on the rear right hand, just above the right brow, and a patch and small indentation above the right buttock . There are cracks to either side of the main bead on the mala held in the rear right hand. The numerals 9-2 are written in red pigment on the back of the pedestal, and 01797-137 in white pigment on the base plate, which appears to be original. The base plate is dented and partially pryed open. There appears to be cotton and yellow silk lining the bottom of the interior. Overall the piece is in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
This image is a personification of the bodhisattva Avalokitesvara's six syllable (sadaksari) mantra, om mani padme hum (homage to the jewel in the lotus). The first known description of the mantra appears in the Karandavyuha Sutra compiled at the end of the 4th century or beginning of the 5th century AD, where Shakyamuni Buddha introduces Avalokitesvara, and praises the mantra as being the most beneficial. This mantra can be heard throughout Tibet and in much of the Buddhist world. The popularity of this mantra led to its personification and this form of Avalokitesvara is the patron, and one of the most popular deities in Tibet. All Dalai Lamas are believed to be earthly manifestations of this deity.
Compare this specific representation of Avalokitesvara to a larger image also dated to the 18th century, sold in our Paris rooms, 9th June 2011, lot 232. Another image of similar size dated to the 17th century is illustrated in Buddhist Images in Gilt Metal, The Chang Foundation, Taipei 1993, p. 105.
Compare this specific representation of Avalokitesvara to a larger image also dated to the 18th century, sold in our Paris rooms, 9th June 2011, lot 232. Another image of similar size dated to the 17th century is illustrated in Buddhist Images in Gilt Metal, The Chang Foundation, Taipei 1993, p. 105.