- 178
Sam Francis
估價
20,000 - 30,000 USD
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招標截止
描述
- 山姆·弗朗西斯
- Untitled
signed and dated 1950 on the reverse
- acrylic on paper
- 14 by 10 in.
- 35.5 by 25.5 cm.
來源
Gift of the artist to the present owner
Condition
This work is in very good condition overall. The top edge is deckled. There is pale surface soiling to the sheet. There is minor discoloration around the external edges. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
This work is registered in the artist's records and catalogue raisonné documentation files with the archival identification number of SF50-142 as research is in progress for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper edited by Debra Burchett-Lere and coordinated by the Sam Francis Foundation.