格哈德·里希特

Marian Goodman Gallery, New York 
Anthony d'Offay Gallery, London
Astrup Fearnley Collection, Oslo
Dominique Lévy Fine Art, New York
Private Collection, USA

Nîmes, Carré d'Art, Museé d'Art Contemporain de la ville de Nîmes, Gerhard Richter, 100 Bilder, June – September 1996, cat. no. 790-4, pp. 139-140 (text) and p. 48, illustrated in color
Oslo, Astrup Fearnley Museet for Moderne Kunst, Åpent Rom - Utvalgte Verk fra Samlingen, May - September 1997
Oslo, Astrup Fearnley Museet for Moderne Kunst, Gerhard Richter: det umuliges kunst, malerier 1964–1998, January – April 1999, pp. 95-96, illustrated in color
Prato, Centro per l'Arte Contemporanea Luigi Pecci, Gerhard Richter, October 1999 – January 2000, p. 133, illustrated in color
Oslo, Astrup Fearnley Museet for Moderne Kunst, Museum-Sommerutstillingen 2000, June - September 2000, no. 6
Columbus, Ohio, Wexner Center for the Arts, As Painting: Division and Displacement, May – August 2001, cat. no. 78, p. 53, illustrated in color, p. 144, illustrated
New York, The Museum of Modern Art; The Art Institute of Chicago; San Francisco Museum of Modern Art; Washington D.C., Hirshhorn Museum and Sculpture Garden, Gerhard Richter: Forty Years of Painting, February 2002 – May 2003, p. 79 (text) and p. 243, illustrated in color
London, National Portrait Gallery, Gerhard Richter: Portraits, February – May 2009, pp. 120 and 171 (text) and p. 137, illustrated in color

Ulf Erdmann Ziegler, ‘Ein Stillen-leben,’ taz. die tageszeitung, 19 August 1996, p. 15, illustrated
Stefan Germer, “Familienanschluß zur Thematisierung des Privaten in neueren Bildern Gerhard Richters,” Texte zur Kunst, 7 Jahrgang, no. 26, June 1997, p. 112, illustrated
Angelika Thill, et al., Gerhard Richter: A Catalogue Raisonné 1962-1993, vol. III, Ostfildern-Ruit, 1993, cat. no. 790-4, illustrated in color
Dietmar Elger, Gerhard Richter: Maler, Cologne, 2002, pp. 168, 258 and 411 (text)
Artforum, January 2002, pp. 98-99, illustrated in color
Robert Storr, Gerhard Richter: Doubt and Belief in Painting, New York, 2003, p. 136 (text)
Erik Verhagen, ‘Bête comme un peintre. Les portraits de famille de Gerhard Richter,’ Les Cahiers du Musée national d'art moderne, Centre Georges Pompidou, no. 90, Winter 2004-2005, p. 53, illustrated
Exh. Cat., Humlebæk, Louisiana Museum for Moderne Kunst, Gerhard Richter. Billede efter billede, 2005, p. 14, illustrated in color
Bruno Eble, Gerhard Richter: La surface du regard, Paris, 2006, pp. 119-121 (text)
Exh. Cat., Flensburg, Museumsberg, Gerhard Richter: Portraits, 2006, p. 137, illustrated in color
Exh. Cat., London, Hayward Gallery, The Painting of Modern Life, 2007, pp. 39-40 (text)
Dietmar Elger, Gerhard Richter: A Life in Painting, Chicago and London, 2009, p. 326, illustrated in color
Jennifer Higgie, 'Alone Again, Or: The persistent and enigmatic subject of women turning away,' Frieze, Summer 2009, p. 160, illustrated in color
Dietmar Elger, Gerhard Richter, Paris, 2010, p. 281, illustrated in color

This painting is in excellent condition. Please contact the Contemporary Art department at 212-606-7254 for the condition report prepared by Terrence Mahon. The canvas is not framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.