Thomas Struth

Marian Goodman Gallery, New York
Acquired directly from the above by the present owner in 2003

Exhibition Catalogue, Hamburg, Kunsthalle, Thomas Struth: Museum Photographs, 1993-1994, 2005, p. 71, p. 106, no. 71, illustration of another example in colour
Anette Kruszynski, Tobia Bezzola and James Lingwood, Eds., Thomas Struth, Photographs 1978-2010, New York 2010, p. 90, p. 204, illustration of another example in colour

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is brighter and richer in the original, with more saturated colours throughout. Condition: This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"Looking at works which had not been isolated from their original context, which were still in place and perhaps in the belief system for which they had originally been made, stimulated new possibilities."

Thomas Struth in: Anette Kruszynski, Tobia Bezzola and James Lingwood, Eds., Thomas Struth, Photographs 1978-2010, New York 2010, p, 204