Le Pho

The work is in good condition, with a silk that is well-preserved with no runs or holes. There are a few small scattered spots of mild foxing as well as minute and unobtrusive media accretions in the middle of the lower register. Under ultraviolet light inspection, there is no indication of retouching but there is of a spot of faint discolouration on the upper left (on the white scarf of the figure on the upper left). Colour of the catalogue illustration is accurate. Framed, under glass.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Bathing has always been an important and recurring theme in Vietnamese silk paintings, and in The Three Bathers (circa 1938), Le Pho masterfully expresses feminine elegance, refinement through gestured composition and the natural curvature of the female form.

The colour laid over the silk brings forth the fine ink outline of the women's bodies, insinuating the fair, soft, and inviting skin tone of the partially dressed, yet conservative bathers. Le Pho's mastery skills represent a universal soul, which captures the beauty and grace by fluidly revealing the essence of the three beautiful bathers bathing by the river.