In Untitled (Specific), words including “reason,” “power,” “progress,” “alignment” and “bias” are laid over an image of military figures, prompting the viewer to question the propagandistic nature of the imagery and the politics of both the image and the political power shown within. Such mimicry of ad-speak invokes a powerful disjunction between image and meaning, thereby exposing the inescapable conditions involved in contemporary production.
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