PROPERTY FROM AN IMPORTANT COLLECTION OF BUDDHIST FIGURES FORMERLY IN THE COLLECTION OF THE CHANG FOUNDATION
Buddhist gilt-bronze figures were produced in China almost when Buddhism was embraced by various courts after the Han dynasty. Until the Tang dynasty, however, figures remained relatively small in size. One of the earliest developments away from small votive images took place in the Liao dynasty, when sculptures not only became larger but also adopted a more sculptural aesthetic. During the early Ming period the court gained control of the production of Buddhist figures and a distinct style developed, affecting the design of future Chinese Buddhist gilt-bronze images, as exemplified by the present work.
A related figure from the Nitta Collection, with similar ornaments, garments, and attributes but on an elevated lotus base, now preserved in the National Palace Museum, is illustrated in The Casting of Religion: A Special Exhibition of Mr. Peng Kai-dong’s Donation, National Palace Museum, Taipei, 2004, cat. no. 167. A related figure with similar crown, face, and garments but of a larger size, is also in the National Palace Museum, Taipei, attributed to the Ming period, 16th or 17th century, cast as part of a triad flanking Amitabha with a figure of Mahastamaprapta, illustrated in Huixia Chen, A Special Exhibition of Recently Acquired Gilt-Bronze Buddhist Images: Lidai jintongfo zaoxiang tezhan tulu, National Palace Museum Taipei, 1996, cat. no, 26. Compare as well similar gilt-bronze figures of Avalokiteshvara, with the same attributes and on varying lotus bases, including one sold in these rooms, 19th September 2002, lot 165, and another in our London rooms, 5th December 1995, lot 30; and a third, also sold in these rooms, 29th November 1993, lot 171.
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