The Post-Impressionist painter Émile Bernard wrote of Moret: ‘He was a very gentle, likeable character; a peaceable, sincere revolutionary. I lost sight of him when I left Pont-Aven […] He had turned away from our developments in Synthesis and gone over to the plein-air school of Monet […] So far from weakening his talent he had strengthened it, rejecting theories, keeping in touch with life itself, with nature’ (quoted in Wladyslawa Jaworska, Gauguin and the Pont-Aven School, London, 1972, p. 183-84.)
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