Judean Hills, in the same private collection since the year it was painted, revisits the subject of one of Ardon’s first paintings after moving to Israel, In the Hills of Judea, c. 1935, with the mature style and brighter color palette of the 1960s. Ardon was deeply moved by the landscapes of his new homeland. “Ardon recollects that he experienced a mystical attachment to the ancient soil. His canvas is not so much the portrait of a place as it is a revelation of the mysterious union he felt with the earth.” (Michele Vishny, Mordecai Ardon, p. 28)
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