Portraiture formed a key part of Vuillard’s œuvre throughout his career, and some of his most successful paintings depict his close friends and their families. Stephen Brown has noted with specific reference to Vuillard’s portraits that: ‘Vuillard may be seen as the heir of Degas, Gauguin and the Impressionists. He was also an artist of his time and, more precisely, the artist of a particular social milieu and moment… Rarely has an artist so completely entered the circle of his patrons’ (Stephen Brown, Edouard Vuillard, A Painter and his muses, 1890-1940, p. 33).
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