including: Cheng Chen-to, Chang Heng, Hsu Pang-Ta, Sung Dynasty Album Paintings, Beijing, 1957; Victoria Contag and Chi-ch'ien Wang, Seals of Chinese Painters and Collectors of the Ming and Ch‘ing Periods, Hong Kong, 1966; Basil Gray, Buddhist Cave Paintings at Dunhuang, London, 1959; Thomas Lawton, Chinese Figure Painting, Washington D.C., 1973; Sherman Lee, Chinese Landscape Painting, Cleveland, 1954; Sherman Lee and Wen Fong, Streams and Mountains Without End: A Northern Sung Handscroll and Its Significance in the History of Early Chinese Painting, Artibus Asiae, Supplementum XIV, Ascona, 1967; Chu-Tsing Li, The Autumn Colors on the Ch'iao and Hua Mountains, A Landscape by Zhao Mengfu, Artibus Asiae, Supplementum XXI, Ascona, 1965; Osvald Sirén, Chinese Painting: Leading Masters and Principles, vols. I-VII, London, 1956-1958; Mai-Mai Sze, The Tao of Painting, vols. 1-2, New York, 1956; R.H. Van Gulik, Chinese Pictorial Art as Viewed by the Connoisseur, Serie Orientale Roma, vol. XIX, Rome, 1958; Arthur Waley, An Introduction to the Study of Chinese Painting, New York, 1958; Chang Wan-li and Hu Jen-mou, The Selected Paintings of Pa-ta-shan-jen, vols. I-II, Hong Kong, 1969; The Art of China, vols. 1-2, Taipei, 1945; Chi Pai-Shih: Collection of Paintings by Chi Pai-Shih from the Jung Pao Studio (4 folios), Beijing, 1962; A Collection of Works by Qi Baishi, Beijing, 1962; Designs from the Ten Bamboo Studio (4 folios), Beijing, 1956; Gems of Painting, vols. 1-4, Shanghai, 1955; Select Four Monks Paintings of Late Ming Dynasty - Pa-ta-shan-jen, Shih-t'ao, Shih-ch'i, and Chien-chiang, vols. 1-12 (plus duplicates of vols. 1-2); Selections of Modern Chinese Painting (2 folios); Three Hundred Masterpieces of Chinese Painting in the National Palace Museum, vols. 1-6, Taipei, 1970; plus additional volumes (77)
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