Group of 6 works, plus another on him:
The Mime of Mick Nick and the Maggies. A Fragment from Work in Progress. The Hague: The Servire Press, London: Faber & Faber Ltd., 1934. 8vo, initial, tail-piece and cover design by Lucia Joyce. Publisher’s white paper wrappers, in a silver boards slipcase with pink title label, in a red half-morocco drop box; backstrip tanned, a few spots on cover, a few tears in slipcase repaired with cello tape. One of 1000 copies. Slocum & Cahoon A43. — Stephen Hero. A Part of the First Draft of A Portrait of the Artist as a Young Man. New York: New Directions, 1944. 8vo, frontispiece; anonymous gift inscription in ink on front free endpaper. Publisher’s half cloth, printed dust-jacket, in a green half-morocco drop box; corners rubbed, dust-jacket torn and mended. First american edition. Slocum & Cahoon A52. — Letters of James Joyce. Edited by Stuart Gilbert. New York: Viking Press, 1957. 8vo, frontispiece. Publisher’s green gold-stamped cloth, printed dust-jacket, in a green half-morocco drop box; top and bottom edge of dust-jacket lightly frayed. — Giacomo Joyce. New York: Viking Press, 1968. 8vo, plates (some folding). Publisher’s red quarter cloth, in matching slipcase, in a blue half-morocco drop box. First edition. — Chamber Music. Boston: Cornhill Company, . 12mo. Publisher’s green cloth, in a green morocco drop box. First unauthorized american edition. Slocum & Cahoon A5. — Pomes Penyeach. Paris: Shakespeare & Company, 1927. 12mo, errata slip. Publisher’s beige printed boards, in a green morocco drop box; backstrip worn. First edition. Slocum & Cahoon A24 — Edel, Leon. James Joyce. The Last Journey. New York: Gotham Book Mart, 1947. 8vo. Publisher’s blue half cloth and printed boards; boards soiled and rubbed.
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