Impressionist & Modern Art Day Sale 

Property of The Newark Museum of Art, Sold to Support Museum Collections

Property of The Newark Museum of Art, Sold to Support Museum Collections Giorgio de Chirico 1888 - 1978 Cavallo e zebra in riva al mare (Horse and Zebra by the Sea) Signed g. de Chirico (upper right) Oil on canvas 32 by 25 ⅝ in. (81.3 by 65.1 cm) Framed: 39 ½ by 33 in. (100 by 83.8 cm) Painted circa 1928. The authenticity of this work has been confirmed by the Fondazione Giorgio e Isa de Chirico.

View 1 of Lot 72: Cavallo e zebra in riva al mare (Horse and Zebra by the Sea)

cavallo e zebra in riva al mare (horse and zebra by the sea)

American Art

Property of The Newark Museum of Art, Sold to Support Museum Collections Georgia O'Keeffe 1887 - 1986 Green Oak Leaves oil on canvasboard 12 by 9 inches (30.5 by 22.9 cm) Painted in 1923.

green oak leaves

Property of The Newark Museum of Art, Sold to Support Museum Collections Thomas Moran 1837 - 1926 Sunset Santa Maria and the Ducal Palace, Venice signed TMoran and dated 1902 (lower left); also signed and dated again and titled (on the reverse) oil on canvas 20 ¼ by 30 inches (51.4 by 76.2 cm) This work will be included in Phyllis Braff, Stephen L. Good and Melissa Webster Speidel's forthcoming catalogue raisonné of the artist's work. We wish to thank them for their assistance in cataloguing this lot.

View 1 of Lot 27: Sunset Santa Maria and the Ducal Palace, Venice

sunset santa maria and the ducal palace, venice

Property of The Newark Museum of Art, Sold to Support Museum Collections Thomas Eakins 1844 - 1916 Portrait of Dr. Joseph Leidy, II signed Eakins (lower right); also initialed T.E. (on the reverse prior to lining) oil on canvas 50 by 36 inches (127 by 91.4 cm) Painted in 1890.

View 1 of Lot 44: Portrait of Dr. Joseph Leidy, II

portrait of dr. joseph leidy, ii

Property of The Newark Museum of Art, Sold to Support Museum Collections Charles Sheeler 1883 - 1965 Farm Buildings, Connecticut signed Sheeler- and dated 1941 (lower right); also signed and dated again and titled (on the reverse) tempera and pencil on board image: 11 ½ by 17 ¼ inches (29.2 by 43.8 cm) board: 13 ¼ by 19 inches (33.6 by 48.3 cm)

View 1 of Lot 8: Farm Buildings, Connecticut

farm buildings, connecticut

Property of The Newark Museum of Art, Sold to Support Museum Collections Frederic Remington 1861 - 1909 Trooper of the Plains ﻿ inscribed copyright by / Frederic Remington (on the base) and Roman Bronze Works N-Y- (along the base) also numbered No. 13 (beneath the base) bronze with dark brown patina height: 26 ¼ inches (66.7 cm) Modeled in 1908; cast by 1921.

trooper of the plains

Property of The Newark Museum of Art, Sold to Support Museum Collections Childe Hassam 1859 - 1935 Woman Cutting Roses in a Garden signed CHILDE HASSAM (lower left) oil on board 18 ⅛ by 14 ⅜ inches (46 by 36.5 cm) Painted circa 1888-89. This work will be included in Stuart P. Feld and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work.

View 1 of Lot 31: Woman Cutting Roses in a Garden

woman cutting roses in a garden

Property of The Newark Museum of Art, Sold to Support Museum Collections Burgoyne Diller 1906 - 1965 Number 47, First Theme oil on canvas 50 by 50 inches (127 by 127 cm) Painted in 1962.

number 47, first theme

Property of The Newark Museum of Art, Sold to Support Museum Collections Thomas Cole 1801 - 1848 The Arch of Nero ﻿ signed Thomas Cole (lower right) oil on canvas 60 ¼ by 48 ¼ inches (153 by 122.6 cm) Painted in 1846.

the arch of nero

Property of The Newark Museum of Art, Sold to Support Museum Collections Marsden Hartley 1877 - 1943 Shell signed MARSDEN HARTLEY and dated 1929 (on the reverse) oil on board 15 ¼ by 18 ½ inches (38.7 by 47 cm) This work is included in The Marsden Hartley Legacy Project: Complete Paintings and Works on Paper, Bates College Museum of Art, Lewiston, Maine, Gail R. Scott, Project Director and Lead Scholar.

shell

Property of The Newark Museum of Art, Sold to Support Museum Collections Albert Bierstadt 1830 - 1902 Landscape oil on paper laid down on canvas 11 by 15 ¼ inches (27.9 by 38.7 cm) This work will be included in the forthcoming Albert Bierstadt catalogue raisonné database. We thank Melissa Webster Speidel, President of the Bierstadt Foundation and Director of the Albert Bierstadt catalogue raisonné project, for her assistance cataloguing this lot.

landscape

Picasso Prints & Ceramics

Property of The Newark Museum of Art, Sold to Support Museum Collections After Pablo Picasso Volutes Knotted wool rug, circa 1960, with the embroidered signature on the reverse overall: 2553 by 1925 mm 100 ½ by 75 ¾ in

volutes

Property of The Newark Museum of Art, Sold to Support Museum Collections Childe Hassam 1859 - 1935 Piazza di Spagna, Rome signed Childe Hassam and dated 1897 (lower right) oil on canvas laid down on board 29 by 23 ¼ inches (74 by 59 cm) This work will be included in Stuart P. Feld and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work.

piazza di spagna, rome

The Collection of Roy and Ruth Nutt: Important Americana & Decorative Arts

including The Hudson Fulton Celebration: The Metropolitan Museum of Art Exhibition, volumes 1-2, 1909; Classical America 1815-1845, The Newark Museum; Randall, American Furniture, Museum of Fine Arts, Boston; Patricia E. Kane, 300 Years of American Seating Furniture; Drost, Clocks and Watches of New Jersey; Kaplan, "The Art that is Life," New York Graphic Society.  Approximately 220 volumes.

a group of books related to american furniture, folk art, clocks, decorative arts and miscellaneous design

Ex Libris: The Wolf Family Collection Art Reference Library

A Group of Chinese Export Art Reference Books, Approximately 80 Volumes

A Group of Chinese Export Art Reference Books, Approximately 80 Volumes comprising approximately 80 vols. Works include: A Catalogue of Blue and White Nankin Porcelain forming the Collection of Sir Henry Thompson, London: Ellis and White, 1878. 36 plates. — An Exhibition of China Trade Porcelain, New Haven: The New Haven Colony Historical Society, 1968. — Azul e Branco da China, Porcelana ao tempo dos descobrimentos, Colecção Amaral Cabral, Lisbon: IPM, 1997. — Beurdeley, Michel, Chinese Trade Porcelain, Rutland, VA: Charles E. Tuttle Company, 1962. — Beurdeley, Michel, Porcelaine de la Compagnie des Indes, Fribourg: Office du Livre, 1962. Dust jacket. — Carswell, John, Blue and White: Chinese Porcelain and its Impact on the Western World, Chicago: University of Chicago, 1985. — Chinese Export Porcelain: A Loan Exhibition from New Jersey Collections, Newark: The Newark Museum, 1980. — Chinese Export Porcelain and Enamels, Wilmington, DE: The Wilmington Society of the Fine Arts, 1957. — Cohen, Michael and William Motley, Mandarin and Menagerie: Chinese and Japanese Export Ceramic Figures, vol. I, Reigate: Cohen & Cohen, 2008. — Crossman, Carl L., A Design Catalog of Chinese Export Porcelain for the American Market, Salem, MA: Peabody Museum, 1964. — Crossman, Carl L., The China Trade: Export Paintings, Furniture, Silver and Other Objects, Princeton: The Pyne Press,1972. Dust jacket. — Crossman, Carl L., A Catalogue of Chinese Export Paintings, Furniture, Silver and Other Objects, Salem, MA: Peabody Museum, 1970. — Crossman, Carl L., Decorative Arts of the China Trade, Suffolk: Antique Collector’s Club, 1991. Dust jacket. — Denker, Ellen Paul, After the Chinese Taste: China’s Influence in America, 1730-1930, Salem, MA: Peabody Museum, 1985. — Forbes, H.A. Crosby, Hills and Streams: Landscape Decoration on Chinese Export Blue and White Porcelain, Milton, MA: International Exhibitions Foundation and the China Trade Museum, 1982. — Gordon, Elinor, Collecting Chinese Export Porcelain, New York: The Main Street Press, 1979. —Herbert, Peter and Nancy Schiffer, Chinese Export Porcelain: Standard Patterns and Forms, 1780 to 1880, Exton, PA: Schiffer Publishing, 1975. Dust jacket. — Herbert, Peter and Nancy Schiffer, China for America: Export Porcelain of the 18th and 19th Centuries, Exton, PA: Schiffer Publishing, 1980. — Hervouët, Francois, Nicole Hervouët and Yves Bruneau, La Porcelaine des Compagnie des Indes a Décor Occidental, Paris: Flammarion, 1996. Dust jacket. — Howard, David Sanctuary, New York and the China Trade, New York: New York Historical Society, 1984. — Howard, David S., The Choice of the Private Trader: The Private Market in Chinese Export Porcelain illustrated from the Hodroff Collection, London: Zwemmer, 1994. — Howard, David S., A Tale of Three Cities: Canton Shanghai & Hong Kong, London: Sotheby’s, 1997. Dust jacket. — Howard, David and John Ayers, Masterpieces of Chinese Export Porcelain from the Mottahedeh Collection in the Virginia Museum, London: Sotheby Parke Bernet, 1991. — Hyde, J. A. Lloyd, Oriental Lowestoft, Newport: The Ceramic Book Company, 1964. — Jackson, Anna and Amin Jaffer, ed., Encounters: The Meeting of Asia and Europe 1500-1800, London: V&A Publications, 2004. — Jourdain, Margaret and R. Soame Jenyns, Chinese Export Art in the Eighteenth Century, London and New York: Country Life and Charles Scribner’s Sons, 1950. — Interactions in Ceramics: Oriental Porcelain and Delftware, Hong Kong: Hong Kong Museum of Art, 1984. — Jörg, C.J.A., Pronk Porcelain: Porcelain after Designs by Cornelis Pronk, Groningen: Groningen Museum, 1980. — Le Corbeiller, Clare, China Trade Porcelain: Patterns of Exchange, New York: The Metropolitan Museum of Art, 1974. Dust jacket. — Le Corbeiller, Clare and Alice Cooney Frelinghuysen, Chinese Export Porcelain, New York: The Metropolitan Museum of Art, 2003. — Litzenburg, Thomas V. Jr., Chinese Export Porcelain in the Reeves Center Collection at Washington and Lee University, London, Third Millennium Publishing, 2003. Dust jacket. — Matos, Maria Antonia Pinto de, Chinese Export Porcelain: From the Museum of Anastacio Goncalves, Lisbon, London: Philip Wilson, 1996. — Mudge, Jean McClure, Chinese Export Porcelain in North America, New York: Clarkson N. Potter, 1986. Dust jacket. — Pietsch, Ulrich, Anette Loesch and Eva Ströber, China. Japan. Meissen. The Dresden Porcelain Collection, Dresden: Staatliche Kunstsammlungen Dresden, 2006. — Phillips, John Goldsmith, China-Trade Porcelain, London and Cambridge, MA: Phaidon Press and Harvard University Press, 1956. Two copies, one with dust jacket. —Sargent, William R., The Copeland Collection: Chinese and Japanese Ceramic Figures, Salem, MA: The Peabody Museum of Salem, 1991. — Scheurleer, D.F. Lunsingh, Chinese Export Porcelain, New York: Pitman Publishing, 1974. — The China Trade and Its Influences, New York, The Metropolitan Museum of Art, 1941. — The Chinese Porcelain Company: A Dealer’s Records 1985-2000, New York: The Chinese Porcelain Company, 2000. Dust jacket. — Tudor-Craig, Algernon, Armorial Porcelain of the Eighteenth Century, London: The Century House, 1925. Number 43 of 1000. Signed copy. — Trubner, Henry and William Jay Rathbun, China’s Influence on American Culture in the 18th and 19th Centuries, New York: China Institute of America, 1976. — Williamson, G.C., The Book of Famille Rose, London: Methuen & Co., 1927. 62 plates. Dust jacket. — Wilson, Jane, Canton for the Collector, Essex, CT: Riverside Press, 1977. — a variety of auction and dealer catalogues, amongst others. (Sold as a group—not subject to return.) PROVENANCE: Wolf Family Collection

View 1 of Lot 1349: A Group of Chinese Export Art Reference Books, Approximately 80 Volumes

a group of chinese export art reference books, approximately 80 volumes

Finely cast in two parts, the figure joined to the separately made lotus pedestal, all richly gilded with the jewellery embellished with turquoise and the face painted in the Tibetan manner, the voluminous lower garment delicately engraved with floral designs, wearing a vajra helmet and five leaf crown, his hands crossed before the chest holding the stems of lotus flowers bearing his attributes the vajra and ghanta.

Finely cast in two parts, the figure joined to the separately made lotus pedestal, all richly gilded with the jewellery embellished with turquoise and the face painted in the Tibetan manner, the voluminous lower garment delicately engraved with floral designs, wearing a vajra helmet and five leaf crown, his hands crossed before the chest holding the stems of lotus flowers bearing his attributes the vajra and ghanta. For another Vajradhara of comparable size in the Newark Museum Collection, also cast in two sections and having a similar floral pattern incised to the garment and comparable lotus petal design, see Rhie and Thurman, 1991, pl. 147, p. 357.

vajradhara

A Group of American Federal Furniture Books, Approximately 33 Volumes

A Group of American Federal Furniture Books, Approximately 33 Volumes including Newark Museum, Classical America 1815-1845, Nancy McClelland, Duncan Phyfe & The English Regency 1775-1830, Charles Over Cornelius, Furniture Masterpieces of Duncan Phyfe, Fiske Kimball, Mr. Samuel McIntire, Carver, the Architect of Salem, Essex Institute, Samuel McIntire: A Bicentennial Symposium, 1757-1957, Vernon C. Stoneman, A Supplement to John and Thomas Seymour, Cabinetmakers in Boston, 1794-1816 Approximately 33 volumes ﻿(Sold as a group—not subject to return.)

View 1 of Lot 1328: A Group of American Federal Furniture Books, Approximately 33 Volumes

a group of american federal furniture books, approximately 33 volumes

THE JAMES S. COPLEY LIBRARY: ARTS & SCIENCES, INCLUDING THE MARK TWAIN COLLECTION

A significant collection of 108 volumes or broadsides together with an extensive collection of ephemera published by, or relating to, the Janus Press, West Burke / Newark, Vermont: 1955-2008, comprising:

A significant collection of 108 volumes or broadsides together with an extensive collection of ephemera published by, or relating to, the Janus Press, West Burke / Newark, Vermont: 1955-2008, comprising: Theobald, J. An Oxford Odyssey. 1955, [one of 100 copies], the first publication of the Janus Press, some browning. — Johnson, W.R. 'A Messenger of Satan'. 1957, [one of 100 copies], presentation inscription from Claire Van Vliet. — Van Vliet, C. Some Trees and Bushes. 1959, number 66 of 125 copies, presentation inscription from Claire Van Vliet1960-1969Andrewes, L. The Adoration of the Magi. 1960, number 111 of 150 copies. — Siegl, H. A Little Bestiary. Philadelphia: Print Club, [1961], un-numbered copy without colophon, presentation inscription from Claire Van Vliet. — Van Vliet, C. A Country Doctor by Franz Kafka: Fourteen Relief Etchings. 1962, [one of 20 copies]. — Kafka, F. Parables and Paradoxes. 1963, number 14 of 50 copies. — Lorca, F.G. Romance de la Guardia Civil Espanola. 1963, number 22 of 45 copies. — Siegl, H. A Book of Prayers. 1964, number 274 of 300 copies. — [Rot, D.] Four Letter Words! [1964], no colophon. — Capetanakis, D. The Poetry of Demetrios Capetanakis. 1966, number 21 of 100 copies. — Wilde, O. The Selfish Giant. 1967, number 54 of 200 copies. — Willard, N. A New Herball. 1968, number 341 of 400 copies1970-1979Johnson, W.R. Easter. 1970, number 27 of 250 copies. — Johnson, W.R. Anno Domini. 1970, one of 140 copies. — Siegl, H. A Felicity of Carols. 1970, number 577 of 900 copies. — Siegl, H. A Felicity of Carols. 1970, trade edition. — Kafka, F. Conversation with the Supplicant. 1971, number 49 of 100 copies. — Kafka, F. The Bucket Rider. [1972], number 28 of 100 copies. — Siegl, H. Mother Goose. 1972, number 90 of 200 copies. — Leontief, E. Razerol. 1973, number 116 of 150 copies. — Siegl, N. transl. A Fable of Bidpai. 1974, number 208 of 300 copies. — Lorca, F.G. Romance de la Guardia Civil Espanola. 1974, number 169 of 300 copies. — Van Cliet, C. The Tower of Babel. 1975, number 53 of 100 copies. — Franklin, B. The Old Mistresses' Apologue. 1975, unnumbered copy with presentation inscription from Claire Van Vliet. — Franklin, B. The Old Mistresses' Apologue. 1975, number 20 of 100 copies. — Johanknecht, S. Spring Clay. 1975, number 52 of 75 copies. — Johanknecht, S. Birthcords. 1975, number 41 of 50 copies. — Siegl, H. The Guest. 1976, number 28 of 300 copies. — Siegl, H. The Guest. 1976, number 144 of 300 copies. — Carruth, H. Loneliness. 1976, number 10 of 150 copies. — Gunn, T. The Missed Beat. 1976, one of 220 copies. — Johnson, W.R. Flowering Time. 1976, number 110 of 150 copies. — Kronfeld, S. Spaghettiana. 1976, number 59 of 150 copies. — Schuyler, J. The Fireproof Floors of Witley Court. 1976, number 74 of 150 copies. — Carruth, H. Aura. 1977, number 6 of 50 copies. — Hughes, T. Chiasmadon. 1977, one of 175 of copies of which this is number 9 of 55 'hors commerce' copies, marks to upper wrapper. — Johnson, W.R. From Actium. 1977, one of 75 copies. — Reeves, J. The Closed Door. 1977, one of 240 copies. — Schumann, P. White Horse Butcher. 1977, one of 75 copies. — Theobald, J. A Second Light. 1977, one of 75 copies. — Cate, P.D. Claire Van Vliet: Printmaker and Printer. 1978, one of 600 copies. — Nyholm, J. From a Housewife's Diary. 1978, number 73 of 250 copies. — [Schumann, P.] St. Francis Preaches to the Birds. 1978, no colophon. — Schumann, P. St. Francis Preaches to the Birds. 1978, one of 100 copies. — Snodgrass, W.D. Traditional Hungarian Songs. 1978, number 275 of 300 copies. — Siegl, H. Herball. 1979, number 149 of 150 copies. — Cortese, J. What the Owl Said. 1979, number 108 of 150 copies. — Heaney, S. Hedge School. 1979, number 262 of 285 copies. — Jennings, E. Winter Wind. 1979, one of 170 copies. — Kinnell, G. Fergus Falling. 1979, number 108 of 120 copies. — Kinnell, G. Two Poems. 1979, number 161 of 185 copies1980-1989Schumann, P. This Is. 1980, one of 3500 copies, original cloth. — Schumann, P. This Is. 1980, one of 3500 copies, original wrappers. — Schumann, E. The Dream of the Dirty Woman. 1980, one of 85 copies. — Johnson, W.R. Snow. 1980, one of 250 copies. — Johnson, W.R. The Town at Dusk. 1980, number 57 of 60 copies. — Lockwood, M. Bare Elegy. 1980, number 138 of 150 copies. — Lohf, K.A. Seasons. 1981, number 138 of 150 copies. — Hayford, J. Four Women. 1982, second printing, number 134 of 175. — [Various]. The Janus Press Silver Anniversary Miscellany, number 64 of 75 copies. — Thorne, S. Of Gravity and Grace. 1982, number 127 of 220 copies. — Schumann, P. St. Francis Preaches to the Birds. 1982, reprint of 1978 edition. — Johnson, W.R. Lilac Wind. 1983, number 83 of 150 copies. — Finney, C.G. The Circus of Doctor Lao. 1984, one of 150 copies. — McPherson, S. Floralia. 1985, one of 550 copies, original cloth. — McPherson, S. Floralia. 1985, one of 550 copies, original wrappers. — Kinnell, G. The Seekonk Woods. 1985, number 94 of 170 copies. — Le Carré, J. The Clandestine Muse. 1986, one of 260 copies. — Burke, C. A Landscape with Cows in it. 1987, one of 150 copies. — Kaufman, M. Aunt Sallie's Lament. 1988, one of 150 copies. — Kaufman, M. Aunt Sallie's Lament. San Francisco: Chronicle Books, 1993, trade edition. — McPherson, S. Designating Duet. 1989, number 3 of 175 copies. — Tate, N. Dido and Aeneas. 1989, number 25 of 150 copies. — Meynell, K. Eat Book. 1989, number 34 of 150 copies1990-1999Johnson, W.R. Narcissus. 1990, one of 120 copies. — Burke, C. Bone Songs. 1992, number 40 of 150 copies. — Luck, B. Night Street. 1993, number 23 of 90 copies. — Fine, R. Summer Day / Winter Night. 1994, number 58 of 150 copies. — Dove, R. Lady Freedom Among Us. 1994, number 47 of 110 copies. — Kaufman, M. A Friendship Quilt for Aunt Sallie. 1995, number 11 of 100 copies. — Levertov, D. Batterers. 1996, number 36 of 100 copies. — [Holden, A.] Tumbling Blocks for Pris and Bruce. 1996, number 1 of 200 copies, collector's case together with original plastic cube housing. — McPherson, S. Beauty in Use. 1997, number 18 of 150 copies. — Dickinson, E. Seven Poems by Emily Dickinson. 1998, number 40 of 120 copies. — Kaufman, M. Deep in the Territory. 1999, number 16 of 120 copies2000-2008[Van Vliet, C.] Volumes (of Vulnerability). 2000, one of 200 copies. — Von Bingen, H. Circulus Sapientiae. 2001, number 13 of 120 copies. — Van Vliet, C. and E. Steiner. Woven and Interlocking Book Structures. 2002, number 13 of 200 copies. — Loney, A. Rise Governors Bay Sept / Nov 2000. 2003, number 15 of 150 copies. — Kaufman, M. Aunt Sallie's Lament (Altered). 2004, number 15 of 120 copies. — King, K. transl. The Gospel of Mary. 2006, number 27 of 150 copies. — Johanknecht, S. Waste Incant. 2007, number 22 of 150 copies. — Green, M. Papermaking at Hayle Mill 1808-1987. 2008, number 22 of 200 copiesBroadsidesTheobald, J. ('Grow through us in simmanbulance...') 1980, number 105 of 300 copies. — [Bread and Puppet Theatre]. Circus 1987, 1987 [2 copies]. — [Bread and Puppet Theatre]. Circus 1988, 1988. — Haswell, J. From Finland. 1997, one of 100 copies. — McPherson, S. Handmade Definition of Obscurity. 2005, one of 100 copies. — Johnson, W.R. A Scribe of Kloster Eibingen. 2005, one of 75 copies. — Aristotle ('The tyrant who impoverishes the citizens...') 2006. — Bush, G.W. George W Bush on the Constitution. 2006Bibliographical and Works on Claire Van VlietLehrer, R. The Janus Press 1955-75. Burlington: University of Vermont, 1975. — Fine, R. Claire Van Vliet: Landscape Paperworks. Philadelphia: Dolan / Maxwell Gallery, 1984. — Fine, R. The Janus Press 1981-1990. Burlington: University of Vermont Libraries, 1992, original wrappers. — Fine, R. The Janus Press 1981-1990. Burlington: University of Vermont Libraries, 1992, one of 100 copies. — McLean, G. In Black and White: Landscape Prints by Claire Van Vliet. Lewiston, Maine: Bates College Museum of Art, 1999, one of 200 copies. — Fine, R. The Janus Press – Fifty Years. Vermont: University of Vermont Libraries, 2006Together with folding box labeled 'Miscellaneous Items' comprising periodical articles about the press, advertising for publications, invitations, cards, fliers, checklists, etc.Various sizes, original bindings, mostly signed, occasional bookplates.

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