A <a href="https://www.sothebys.com/en/search?query=playbill&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">playbill</a> for Presumption! Or The Fate of Frankenstein, by <a href="sothebys.com/en/search?query=Richard%20Brinsley%20Peake&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Richard Brinsley Peake</a>.<ul><li>Richard Brinsley Peake (English).</li><li>After Mary Shelley's Frankenstein.</li><li>Presumption! Or The Fate of Frankenstein. Last Night... Of Mr. T. P. Cooke. This Present Evening, Saturday, March 9, 1833, will be performed the Celebrated Romance... Theatre-Royal, Edinburgh.</li><li>&nbsp;Edinburgh: Theatre-Royal, 1833.</li><li>A playbill for the last performance by Thomas Potter Cooke at the Theatre-Royal, Edinburgh for 1833.&nbsp;</li><li>Printed letterpress playbill, laid down on early cardstock.</li></ul> The play's author, Richard Brinsley Peake (1792-1847), was a prolific dramatist of the London popular theater from 1818 until the time of his death. Presumption! appeared at the Lyceum (the English Opera House) in the late summer of 1823. During the autumn of the same year, other serious adaptations of Frankenstein appeared at the Royalty and the Coburg. The part of the Monster was taken by Thomas Potter Cooke (1786-1864), a former sailor who had already earned popular and critical attention by his performance as Ruthven in The Vampire in 1820. Although Presumption! was not the first successful Gothic melodrama of the 1820s, the popularity it achieved had an immediate effect on London theatre managements. Presumption! had helped to illuminate a public appetite for horrifying stage fantasies with morally unambiguous resolutions. The play was seen by Mary Shelley and her father William Godwin on 29 August 1823 at the English Opera House, shortly after her return to England. Shelley approved of the way the Creature, played by T.P. Cooke, was represented by a series of dashes in the advertising. Mary Shelley had mixed feelings about the play when it opened but, echoing Lord Byron, wrote: "But lo and behold I found myself famous! Frankenstein had prodigious success as a drama and was about to be repeated for the twenty-third night at the English Royal Opera House."

Presumption! Or The Fate of Frankenstein Playbill

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