An extensive photo album compiled by and documenting the career of aviation pioneer Wilhelm Heinrich Evers.<ul><li>Wilhelm Heinrich Evers (German).</li><li>80 black paper leaves with approximately 367 black and white photographs (all but a few gelatin silver prints) mounted to rectos and versos in dry corner mounts, 3 additional prints laid-in.&nbsp;</li><li>Prints frequently annotated in white album pen in both English and German.</li><li>Commercial album, black textured strong-tied leather over flexible stiff card wrappers.&nbsp;</li></ul> Evers was among the first wave of intrepid pilots to take to the skies following the Wright Brothers' 1903 flight. Active in both Germany and the United States, Evers's Fédération Aéronautique Internationale license number was 190, and he was a member of the Early Birds of Aviation (founded in 1928, limited only to the first 600 or so pilots who flew prior to December 16, 1916). Within the first decade of flight, Evers not only designed, built and flew his own planes in Germany, but was a pilot for the first commercial airline in the United States (The St. Petersburg–Tampa Airboat Line, 1913). Later, he would help develop some of the first high altitude aircraft (for Fokker Aircraft and others), held a number of aviation patents, and was among the main designers of the Junkers Ju 88—one of the most important German fighters of the Second World War. Most of these portions of his career are documented in this album with more than 350 original photographs. The album spans about 1910 through 1929 and covers his earliest flights in Germany (1910-1911); his foundational work with Thomas W. Benoist on the world's first passenger airline in Tampa, Florida (1913-1914); his work with Fokker in the 1920s and more. The first approximately 85 photographs document different iterations of Evers's early German flyers of his own design, designated E-I through E-VI and dated 1910-1913. The album then moves to Evers's close work with early aviators Tony Janus and Thomas W. Benoist in St. Louis, Missouri, including another about 85 photographs focusing on Benoist's St. Petersburg-Tampa Airboat Line, for which Evers was one of three original pilots. Roughly the final half of the album provides a highly technical glimpse into his work, largely in New Jersey with the Fokker Aircraft Corporation on various projects—including its failed F-32.

Photo Album of Aviator Wilhelm Heinrich Evers

A collection of <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?Book%20Subject=Photographs" rel="noopener noreferrer" target="_blank">photographs</a> documenting attendees of the <a href="https://www.sothebys.com/en/search?query=woodstock&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Woodstock Festival</a> of July and August, 1969.<ul><li>Sold as a set of 115 photographs.</li><li>10 are in black and white and 105 in color.</li><li>Each is presented unframed.</li></ul> Wonderful and sizeable collection of over 100 photographs documenting a small group's road trip to Woodstock and weekend there. From road to campsite to town to wilderness, a well-ordered document of one group's Woodstock Festival experiences. While including several shots of stage construction and obligatory views of the immense festival crowds, as well as shots of vendors and close-ups of concert-goers, this collection is compelling for its personal focus. In a small number of pre-Woodstock photos dated July '69, a musical ensemble performs with trumpet, flute, keyboards, and guitar; in August, at the festival itself, the same ensemble plays on a small stage away from the main action (though not the official second stage). There are trips to the falls to frolic nude in the splendor of Nature; tents put up; drugs smoked; several attempts, finally successful, to light a fire; the Earthlight Theater's Aquarian Expo; a geodesic dome is erected; the town of Woodstock itself. And most importantly, loving photographs of every dog they brought along or met on the way, one local goat, and one counterculture kitten. The images also capture many of the festival's most iconic images and moments: the Merry Prankster Bus, Jimi Hendrix performing (from close vantage and several points-of-view), the imposing scaffolding of the sound and light towers, etc. A remarkable collection, taken by an active participant, capturing both the epic scope and smaller daily realities of this generation-defining event.

Woodstock Festival Photograph Collection

Contemporary Curated featuring the Collection of Robert A.M. Stern

Between Memory and Invention: The Collection of Robert A.M. Stern

Between Memory and Invention: The Collection of Robert A.M. Stern Annie Leibovitz b. 1949 Philip Johnson, Glass House, New Canaan, Connecticut signed in pencil (on the reverse); signed in ink on the photographer's label (on the reverse of the frame) archival pigment print 14 ⅝ by 21 ½ in. 37.1 by 54.6 cm. Executed in 2000, this print is number 10 from an edition of 25.

View 1 of Lot 125: Philip Johnson, Glass House, New Canaan, Connecticut

philip johnson, glass house, new canaan, connecticut

Photographs Part II

William Eggleston b. 1939 Outskirts of Morton, Mississippi, Halloween dye-transfer print, signed and editioned Ed. of 15 in pencil on the reverse image: 11 ⅞ by 17 ¾ in. (30.2 by 45 cm.) Executed in 1971.

View 1 of Lot 12: Outskirts of Morton, Mississippi, Halloween

outskirts of morton, mississippi, halloween

Lillian Bassman: Elegance in Light, 1949 - 1996

Lillian Bassman: Elegance in Light, 1949 - 1996 Lillian Bassman 1917 - 2012 Margie Cato (Test Shoot), New York gelatin silver print, signed and with edition 3/25 in pencil on the reverse, framed, a Peter Fetterman, Santa Monica, label on the reverse image: 35 ⅜ by 27 ⅛ in. (89.9 by 68.9 cm.) Executed circa 1950, printed later.

View 1 of Lot 55: Margie Cato (Test Shoot), New York

margie cato (test shoot), new york

Prints & Photographs Part I

Irving Penn 1917 - 2009 Vitrier, Paris platinum-palladium print, signed, titled, dated, editioned 5/25 and annotated in pencil, and with the photographer's Photograph by Irving Penn and Conde Nast copyright/reproduction rights stamps on the reverse, framed image: 16 ¾ by 10 ¼ in. (42.5 by 26 cm.) Executed in 1950, printed in 1967.

vitrier, paris

Property from an Ambassadorial Collection

Property from an Ambassadorial Collection Catherine Opie b. 1961 Diana signed in ink (on a Regen Projects label on the reverse) pigment print, flush-mounted 67 by 29 ½ in. 170.2 by 75 cm. Executed in 2012, this print is number 1 from an edition of 5, plus 2 artist’s proofs.

diana

Walker Evans 1903 - 1975 Negro Barber Shop Interior, Atlanta gelatin silver print image: 7 ½ by 9 ⅜ in. (19.1 by 23.8 cm.) Executed in 1936.

View 1 of Lot 7: Negro Barber Shop Interior, Atlanta

negro barber shop interior, atlanta

Frank Stella 1936 - 2024 Double Gray Scramble (Axsom 93) signed in pencil, dated and numbered 84/100 screenprint in colors on Arches 99 mould-made paper sheet approx.: 29 by 50 ¾ in. 737 by 1289 mm. Executed in 1973, this impression is number 84 from the edition of 100 plus 25 artist's proofs, published by Gemini G.E.L.

View 1 of Lot 103: Double Gray Scramble (Axsom 93)

double gray scramble (axsom 93)

Laurie Simmons b. 1949 Girl Vent Press Shots 26 Cibachrome prints, each framed to the artist's specifications, Daniel Weinberg Gallery, Los Angeles, and The Baltimore Museum of Art labels on the reverse 25 photographs: 10 by 8 in. (25.4 by 20.3 cm.) one photograph: 64 by 48 in. (162.6 by 121.9 cm.) Executed in 1989, this work is number one from an edition of 5.

girl vent press shots

Grit & Grace: Photographs from the Nelson Brothers Collection

Grit & Grace: Photographs from the Nelson Brothers Collection W. Eugene Smith 1918 - 1978 The Walk to Paradise Garden gelatin silver print, mounted to black board, signed in pencil on the mount, framed image: 12 ⅞ by 10 ½ in. (32.7 by 26.7 cm.) Executed in 1946, probably printed in the late 1940s or early 1950s.

View 1 of Lot 233: The Walk to Paradise Garden

the walk to paradise garden

Grit & Grace: Photographs from the Nelson Brothers Collection Dorothea Lange 1895 - 1965 Migrant Mother, Nipomo, California ferrotyped gelatin silver print, the photographer’s Resettlement Administration credit stamp with reproduction annotations and RA 9085-C in pencil on the reverse, framed image: 8 ¾ by 7 ⅜ in. (22.2 by 18.7 cm.) Executed in 1936, probably printed between 1936 and 1937.

View 1 of Lot 7: Migrant Mother, Nipomo California

migrant mother, nipomo california

Property from the Collection of Anne and Stuart Robinowitz

Property from the Collection of Anne and Stuart Robinowitz Cy Twombly 1928 - 2011 Roman Notes (Bastian 21-26) each signed in pencil on the verso and dated; five numbered 97/100, one numbered 98/100 the set of six offset lithographs printed in colors on heavy offset paper sheets approx.: 34 ⅛ by 27 ½ in. 868 by 699 mm. overall: 68 ⅜ by 82 ⅝ in. 1736 by 2098 mm. Executed in 1970, this set is from the edition of 100 plus ten artist's proof sets, published by Neuendorf Verlag. (6 prints)

View 1 of Lot 3: Roman Notes (Bastian 21-26)

roman notes (bastian 21-26)

Francesca Woodman 1958 - 1981 From Space², Providence, Rhode Island gelatin silver print, signed, numbered 4/40 and annotated in pencil by George and Betty Woodman and with the Estate credit stamp on the reverse, framed image: 4 ⅝ by 4 ⅝ in. (11.7 by 11.7 cm.) Executed in 1976, printed posthumously.

View 1 of Lot 9: From Space², Providence, Rhode Island

from space², providence, rhode island

Andreas Sterzing b. 1956 David Wojnarowicz, Silence = Death gelatin silver print, signed, titled, dated and editioned 1/15 ink pencil on the reverse, framed image: 12 ⅞ by 10 in. (32.7 by 25.4 cm.) Executed in 1989, printed in 1999.

View 1 of Lot 2: David Wojnarowicz, Silence = Death

david wojnarowicz, silence = death

Looking Forward: The Collection of Beverly Grossman

Looking Forward: The Collection of Beverly Grossman Robert Mapplethorpe 1946 - 1989 Calla Lily gelatin silver print, flush-mounted, the photographer’s estate stamp, signed by Michael Ward Stout, Executor, in ink, and with title, date, and edition 10/10 in ink and [MAP]1881 in pencil on the reverse, framed, Robert Miller Gallery, New York, and Dorothy Blau Gallery, Inc. labels on the reverse image: 19 ¼ by 19 ¼ in. (48.9 by 48.9 cm.) Executed in 1988, printed in 1989.

calla lily

Looking Forward: The Collection of Beverly Grossman Andy Warhol 1928 - 1987 Cowboys and Indians (Feldman & Schellmann II.377-386) each signed in pencil, nine numbered 11/250, John Wayne inscribed UNIQUE the complete set of ten screenprints in colors on Lenox Museum Board sheets: 36 by 36 in. 914 by 914 mm. Executed in 1986, this set is number 11 from the edition of 250 plus 50 artist's proofs, with the blindstamp of the printer, Rupert Jasen Smith, published by Gaultney, Klineman Art, Inc., and with their inkstamp on the verso. (10 prints)

View 1 of Lot 8: Cowboys and Indians (Feldman & Schellmann II.377-386)

cowboys and indians (feldman & schellmann ii.377-386)

Stephen Shore b. 1947 Palm Beach, Florida, January 1973 chromogenic print, signed, titled, dated and editioned 7/10 in ink on the reverse, framed, a 303 Gallery label on the reverse image: 5 by 7 ½ in. (12.7 by 19.1 cm.) Executed in 1972, printed in 2005.

View 1 of Lot 29: Palm Beach, Florida, January 1973

palm beach, florida, january 1973

Irving Penn 1917 - 2009 Silvered Glass Cup, New York, August 1, 2007 gelatin silver print, mounted, signed, titled and annotated in ink and with the photographer’s Photograph by Irving Penn copyright/reproduction rights stamp on the reverse, framed, a Pace/MacGill Gallery label on the reverse image: 11 ¼ by 19 ¼ in. (28.6 by 48.9 cm.) Executed in 2007, this print is from an edition of no more than 4.

View 1 of Lot 79: Silvered Glass Cup, New York, August 1, 2007

silvered glass cup, new york, august 1, 2007

Taryn Simon b. 1975 Agreement to develop Park Hyatt St. Kitts under the St. Kitts & Nevis Citizenship by Investment Program. Dubai, United Arab Emirates, July 16, 2012 archival inkjet print and text on archival herbarium paper, flush-mounted, framed to the artist’s specifications, a Gagosian Gallery, New York, label on the reverse image: 82 ½ by 62 ¼ in. (209.6 by 158.1 cm.) overall: 85 by 73 ¼ in. (215.9 by 186.1 cm.) Executed in 2015, this print is number 1 from an edition of 3 plus 2 artist’s proofs.

View 1 of Lot 112: Agreement to develop Park Hyatt St. Kitts under the St. Kitts & Nevis Citizenship by Investment Program. Dubai, United Arab Emirates, July 16, 2012

agreement to develop park hyatt st. kitts under the st. kitts & nevis citizenship by investment program. dubai, united arab emirates, july 16, 2012

Danny Lyon b. 1942 Civil Rights Master Portfolio (New York: Bleak Beauty Books, 2010), the complete portfolio of 50 gelatin silver prints, each signed in pencil and with the photographer's Bleak Beauty stamp, dated 62/64 and 2010 in pencil, on the reverse; together with a printed checklist and black clamshell box images to: 12 ½ by 18 ¼ in. (31.7 by 46.4 cm.) Executed in 1962-1964, printed in 2010, this portfolio is a unique artist's proof.

View 1 of Lot 60: Civil Rights Master Portfolio

civil rights master portfolio

Robert Rauschenberg 1925 - 2008 From the Bleacher Series: Fort Myers Auto a composition of 4 unique bleached Polaroid Polapan prints, mounted together to aluminum, signed and dated in silver ink on the mount, framed to the photographer’s specifications overall: 55 ½ by 45 ½ in. (141 by 115.6 cm.) Executed in 1988, this work is unique.

View 1 of Lot 4: From the Bleacher Series: Fort Myers Auto

from the bleacher series: fort myers auto

Helen Frankenthaler 1928 - 2011 Tales of Genji III signed in pencil and numbered 22/36 woodcut and pochoir printed in colors on TGL handmade paper sheet: 46 ⅝ by 41 ¾ in. 1184 by 1061 mm. Executed in 1998, this impression is number 22 from the edition of 36 plus 14 artist's proofs, with the blindstamp of the printer and publisher, Tyler Graphics, Ltd.

tales of genji iii

Edward Steichen 1879 - 1973 Wind Fire, Thérèse Duncan on the Acropolis, Athens warm-toned gelatin silver print, credited, titled, dated and inscribed Please return to Edward Steichen, The Museum of Modern Art, 11 W. 53 NY 19 by Grace Mayer and with annotations in pencil on the reverse, framed image: 10 by 8 in. (25.4 by 20.3 cm.) Executed in 1921.

View 1 of Lot 4: Wind Fire, Thérèse Duncan on the Acropolis, Athens

wind fire, thérèse duncan on the acropolis, athens

An oversize silver gelatin studio publicity <a href="https://www.sothebys.com/en/search?query=photograph&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">photograph</a> of <a href="https://www.sothebys.com/en/search?query=Brigitte%20Bardot&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Brigitte Bardot</a> from the film <a href="https://www.sothebys.com/en/search?query=Les%20Novices&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Les Novices</a>.<ul><li>Gianni Bozzacchi (Italian, b.1943).</li><li>Conservation framed with UV plexiglass.</li></ul> There is a perspex window on the back of the frame showing photographer's stamp and information together with a news agency stamp.&nbsp;

Brigitte Bardot Les Novices Movie Studio Photograph

Lenticular Photographs, Los Angeles Studio, by <a href="https://www.sothebys.com/en/search?query=Didier+Vermeiren&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Didier Vermeiren</a>, 2008.<ul><li>Didier Vermeiren (Belgian, born 1951).</li><li>Diptych pigmented ink prints on paper, 3D lenticular lens, wood frame.</li><li>Signed by the artist on signature label.</li><li>Edition #7/15.</li><li>Each is presented framed.</li></ul>

Lenticular Photographs, Los Angeles Studio

An archive of more than 1100 photos from the service of a single soldier before, during, and immediately after World War II.<ul><li>Sold as a set of over 1100 photos, contained in 5 albums.</li><li>Peter R. Betz (American).</li><li>Various places, (1927-1946). </li></ul> Contents and Condition Notes: Oblong string-tied commercial album, imitation leather titled "Photographs" with small portrait photo, cut to the shape of a key-hole, fixed to front cover.<ul><li>163 photographs of various snapshot sizes, corner-mounted to leaves recto and verso, most with holograph captions and several small doodles. </li><li>Approximately half are colorized. </li><li>Photographs depict family vacations, bicycle racing, aviation, scouting, and other subjects, dated from 1927 to 1935. </li><li>Five photographs and a bicycle race program laid-in. </li><li>Four hand-made title pages dividing album into sections. </li><li>Album is generally in good condition, with some rubbing and wear and a tear at the front cover to which tape has been applied. </li><li>"Aviation Section" of nine leaves is lacking most photographs. </li><li>First painted title page adhered to the cover opposing it. </li><li>Most photos about fine.</li></ul> Oblong commercial photo album, lacquer cover with surfing scene and "Aloha Hawaii" at rear; lacking front cover. <ul><li>226 black and white photographs, most with captions, corner mounted to 25 leaves recto and verso. </li><li>Photos primarily military scenes in Hawaii and Panama from 1937-1938 with several family photographs.</li><li>Album in poor condition: lacking the front cover, rear cover and leaves edge-worn and many photographs loose from their mounts. </li><li>Still most photographs about fine. </li></ul> Oblong string-tied commercial album titled "Photographs," hand-lettered title page "G.I./ Memories/Feb. 6 1942-Nov. 17 1945" (above right) with domestic and Pacific theatre place names listed. <ul><li>202 photographs, various sizes.</li><li>Photos primarily from Hawaii and New Guinea. </li><li>Laid in at rear is a promotional calendar for 1944, upon which a rendering of a B-2 has been drawn. </li><li>Album generally good. </li><li>Front cover detached but present. </li><li>Covers edge-worn.</li><li>Leaves suffer some chipping to edges. </li><li>Some photographs have come loose from their mounts, but most in fine condition. </li></ul> Oblong string-tied album, brown imitation leather with "Photographs" printed at front cover. <ul><li>252 photographs of various snapshot sizes, a handful larger, mounted recto and verso to 36 leaves plus leaf of photo-strips with a total of 50 images. </li><li>Most photos with holograph captions from Oahu, New Guinea, and various locations throughout the Philippines. </li><li>Dated 1945. </li><li>Album suffers some edge-wear, front joint starting. </li><li>Several pages disbound. </li><li>Some photographs dismounted, most generally fine. </li></ul> Oblong string-tied commercial album, imitation leather embossed with a horse bust design and "Photographs" at front cover. <ul><li>Hand-lettered title page "Nanking China/Nov. 9th 1945/ to/ Feb. 12th 1946". </li><li>Approximately 290 black and white photos, corner-mounted to 14 leaves recto and verso, most with hand-written captions. </li><li>Photographs depict scenes from an airfield, the city of Nanking (Nanjing,) Shanghai, aboard the transport ship USS General Scott, arrival in Seattle, train journey, domestic family scenes and a welcoming parade in Buffalo, NY. </li><li>Laid in are four photographs of various sizes. </li><li>Album lightly edge-worn. </li><li>Some pages disbound but present.</li></ul> Collection by Peter R. Betz with detailed and captioned photographs of the Philippines Campaign, as well as many other experiences of a soldier's life during the WWII. Peter R. Betz (identified by his name and postwar address in the rear of two of the albums) served with the U.S. Army in the Pacific, and his photographs document that theater and the Philippines Campaign in detail. Nearly every photograph features Betz's neat, holograph captions, and the albums in general are highly organized, making for an incredibly thorough photographic biography of a soldier. The earliest photographs are dated 1927 and feature images of a Boy Scout troop and camping trip. Two of the albums also contain several images of the Betz's family, including parents, siblings, and cousins. Many of these family portraits are hand tinted. Betz's documentation of his Army career begins in 1937 and '38, with his service in Hawaii and Panama. The photographs regarding this time are casual and candid: soldiers relaxing in barracks and off-base in Honolulu and Waikiki beach, hiking trips in the mountains of Hawaii, native Hawaiians in traditional dress, a visit from President Roosevelt, as well as (separately) from Gracie Allen and George Burns. And photographs of the Panama Canal lock system in action reveal a keen interest in mechanics and engineering. Wartime photographs are contained primarily in two albums. The first, titled "G.I. Memories, Feb. 6, 1942 - Nov. 17, 1945" (above) features over 200 images. These include stateside images of Camp Croft and Sand Hill, SC. A second deployment to Hawaii also features heavily, including many of the same kinds of images as appeared earlier. The album contains a notable series of 28 photographs taken in New Guinea, identified by Betz as "Native dance...started Friday thru Sunday night." 47 photos from December 1944 to January 1945 in Leyte, Philippines show US Army barracks and soldiers, native Filipinos (mostly children), countryside, numerous aircraft and ships, and the aftermath of one or more unidentified battles (as left). The second album focuses almost entirely on operations in the Philippines. These include eighteen photographs, with aerial shots, labeled "Air Drop," eleven photographs "taken from" and of Japanese soldiers, and six showing a Japanese surrender on an unidentified airfield. Most importantly, however, over 60 photos that trace the U.S. effort to retake islands from the Japanese, including the January 29, 1945 beach landing at San Narciso, which marked the beginning of the Battle of Bataan. Also noteworthy: Mariveles and the aftermath of fighting in Zig Zag Pass, preparing for the detonation of Fort Drum in Manila Bay on April 12, 1945, followed by images of a beach landing on and aerial shots of Carabao Island on April 16. Additionally: 100 photos, dated January-October 1946, of Luzon after the liberation of the island. The photographs show soldiers and native Filipinos, including Negrito resistance fighters armed with bow and arrow, as well as villages and buildings, many showing the effects of the war. A final album documents, in over 200 images, Betz's experience immediately after the end of hostilities, where he served out his enlistment in Nanking and Shanghai, China. Dated Now. 9, 1945 - Feb. 12, 1946, these photographs show various aspects of the city, soldiers, and people, as well as US and Japanese planes, ships, and like. The album concludes with photographs taken from the deck of the USS General Scott during Betz's return voyage to the United States. Betz was a serious student of photography, and his images demonstrate a keen eye for framing and documentary. As comprehensive an archive of a soldier's WWII service as we've encountered. While vernacular albums from this era do turn up, we aren't aware of any as large, or as comprehensively-captioned, that focuses on a single person as this one. Indeed, both circumstances of life in the Pacific theater, as well as formal censorship policies and security restrictions made assembling such a large collection extraordinarily difficult. A rare, compelling, and significant collection.

Photograph Archive of a WWII Soldier's Life In The Pacific Theater

A <a href="https://www.sothebys.com/en/search?query=photograph&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">photograph</a> from the production of the film <a href="https://www.sothebys.com/en/search?query=Breakfast%20At%20Tiffany%27s&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Breakfast At Tiffany's</a>.<ul><li>Photographic production still.</li><li>Conservation framed with UV plexiglass.</li></ul>

Breakfast at Tiffany's Movie Production Photograph

A <a href="https://www.sothebys.com/en/search?query=photograph&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">photograph</a>&nbsp;from the production of the film&nbsp;<a href="https://www.sothebys.com/en/search?query=Babette%20Goes%20to%20War&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Babette Goes to War</a>.<ul><li>Alan Clifton (dates unknown).</li><li>Silver gelatin photograph.</li><li>Conservation framed with UV plexiglass.</li></ul> This photograph was taken on set in London by Alan Clifton for Camera Press Ltd., and used to promote the film in France. There is a perspex window on the back of the frame showing film information, copyright stamp and a couple of press agency stamps. Formerly in the collection of Michel Giniès. Giniès is a French press photojournalist.

British Babette s'en va-t-en Guerre / Babette Goes to War Movie Photograph

The La Brea Matrix: Six German Photographers and a New Color Icon by Stephen Shore, 2010.<ul><li>30 pigmented ink prints on paper in 6 handmade portfolios with slipcase.</li><li>Included Photographers:</li><li>Jens Liebchen (German, born in 1970).</li><li>Max Regenberg (German, born in 1951).</li><li>Oliver Sieber (German, born in 1966).</li><li>Olaf Unverzart (German, born in 1972).</li><li>Robert Voit (German, born in 1969).</li><li>Janko Woltersmann (German, born in 1967)</li><li>Edition #4/30.</li><li>Each print is signed and numbered on verso by the artist.</li></ul>

The La Brea Matrix: Six German Photographers and a New Color Icon by Stephen Shore

Original silver gelatin gloss photograph of Alan Ladd for The Blue Dahlia film.<ul><li>Philippe Halsman (American, 1906–1979).</li><li>Paramount Pictures.</li><li>Copyright stamp, photographer's signature and "Alan Ladd '45" to reverse</li><li>Paper framed with obeche wood, card mount and UV plexiglass.</li></ul>

The Blue Dahlia Movie Photograph

Panoramic school photograph of pupils, including John Lennon at Quarry Bank High School, Liverpool, May 1957.<ul><li>John Lennon attended the school between 1952 and 1957 and can be seen in the second row from the top, towards the center.</li><li>Rolled and unframed.</li></ul>

 John Lennon High School Class Photograph

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