An Art Edition of <a href="https://www.sothebys.com/en/search?query=On+NFTs&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">On NFTs</a>, accompanied by the <a href="https://www.sothebys.com/en/search?query=Osinachi&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">Osinachi</a> print, The Other Pool Day.<ul><li>Edited by Robert Alice.</li><li>Koln: TASCHEN.</li><li>Hardcover.</li><li>604 pages, booklet 24 pages.</li><li>Art Edition (Number 1–100).</li><li>Accompanied by The Other Pool Day&nbsp;(2023)&nbsp;by Osinachi, a print of the NFT, signed by the artist.</li><li>Book&nbsp;in a stainless steel slipcase designed by ZAK Group.</li></ul> Encompassing the entire NFT ecosystem—from algorithmic art to avatars—the&nbsp;first major art historical survey&nbsp;of this field includes&nbsp;10 academic essays&nbsp;and richly illustrated&nbsp;profiles of 101 key artists. Connecting the disruptive contemporary medium to its context in art history, this volume offers a deep dive into the sphere of non-fungible tokens.

On NFTs | Art Edition Number 1–100, with Signed Osinachi Print The Other Pool Day

A Hard Code edition of&nbsp;<a href="https://www.sothebys.com/en/search?query=On+NFTs&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">On NFTs</a>.<ul><li>Edited by Robert Alice.</li><li>Koln: TASCHEN.</li><li>Hardcover.</li><li>604 pages, booklet 24 pages.</li><li>Part of an edition of 600.</li><li>In a stainless steel slipcase designed by ZAK Group.</li></ul> Encompassing the entire NFT ecosystem—from algorithmic art to avatars—the first major art historical survey of this field includes 10 academic essays and richly illustrated profiles of 101 key artists. Connecting the disruptive contemporary medium to its context in art history, this volume offers a deep dive into the sphere of non-fungible tokens

On NFTs | The Hard Code Edition

Unveiled in 2025 as part of Virgil Abloh: The Codes, the landmark exhibition in Paris celebrating the late designer’s creative legacy, this Virgil Abloh Archives x Nike Air Force 1 Low embodies Abloh’s enduring impact on sneaker culture and design discourse. The pair features a rich pine-green leather upper contrasted with a metallic silver foil Swoosh and midsole-applied “V.A.A. for NIKE” in vibrant yellow — a deliberate evolution from Abloh’s earlier Off-White collaborations toward a more archival authorship under the Virgil Abloh Archive™. Produced in limited numbers and not released to the public, the pair was reserved for friends and family in connection with the exhibition. Available in select sizes; please enquire with desired size.&nbsp;

Virgil Abloh Archives x Nike Air Force 1 “ Pine Green.”

Harold Cohen (1928 - 2016)030905 (i23-3369)Artificial intelligence software (AARON)File Type JPEGComment LEAD Technologies Inc V1.01Image Size 996 by 1152 pixelsExecuted in 2003, this digital work is unique and was reproduced on paper by the artist.&nbsp; The AARON program generated a vector file in a custom format designed by the artist called the ‘AA’ format. The program generated both a vector file for the black line drawing and also a color file. These two different files were merged together in the ‘AA” format which further included additional information about how to make the artwork. These ‘AA’ files were referred to as the AARON Artwork descriptor files and were used to create the JPEGS. Sep 6, 2003 aa5 AARON Artwork descriptor file generatedFeb 2, 2005 Harold Cohen completes jpeg conversion, names file 030905.jpgSept 30, 2024 Harold Cohen Trust renames file to 030905 (i23-3369) Harold Cohen.jpg This digital work was tokenized by the Harold Cohen Trust in partnership with Verisart for on-chain certification and is accompanied by a holographic certificate stamped by the Harold Cohen Trust and an NFC tag. The NFC tag is placed on the back of the work ensuring the pairing of the token, the certificate and the physical print remain connected. Token ID: 7Smart Contract: 0x0dde8a44810b6e6ed4b57e5d890a2d7daa01a326Token Standard: ERC-721Blockchain: Ethereum This work is accompanied by an inkjet print signed, numbered and inscribed by the artist.&nbsp; Harold Cohen (1928 - 2016)030905 (i23-3369)Signed, titled, dated&nbsp;Sept 03, and numbered&nbsp;1 / 3.inkjet print with pigment ink on paperPrint: 45 by 50.25 in. 114.3 by 127.64 cm.Framed: 49.5 by 55 in. 125.7 by 139.7 cm.&nbsp;Executed in 2003, the Harold Cohen Trust and archives have no evidence of numbers 2 and 3 ever having been printed.

030905 (i23-3369)

Harold Cohen (1928 - 2016)0311-32 (i23-3405)Artificial intelligence software (AARON)File Type JPEGComment LEAD Technologies Inc V1.01Image Size 635 by 1277 pixelsExecuted in 2003, this digital work is unique and was reproduced on paper by the artist.&nbsp; The AARON program generated a vector file in a custom format designed by the artist called the ‘AA’ format. The program generated both a vector file for the black line drawing and also a color file. These two different files were merged together in the ‘AA” format which further included additional information about how to make the artwork. These ‘AA’ files were referred to as the AARON Artwork descriptor files and were used to create the JPEGS. Nov 15, 2002 aa4 AARON Artwork descriptor file generatedFeb 1, 2005 Harold Cohen completes jpeg conversion, names file 031132.jpgSep 30, 2024 Harold Cohen Trust renames file to 0311-32 (i23-3405) Harold Cohen.jpg This digital work was tokenized by the Harold Cohen Trust in partnership with Verisart for on-chain certification and is accompanied by a holographic certificate stamped by the Harold Cohen Trust and an NFC tag. The NFC tag is placed on the back of the work ensuring the pairing of the token, the certificate and the physical print remain connected. Token ID: 10Smart Contract: 0x0dde8a44810b6e6ed4b57e5d890a2d7daa01a326Token Standard: ERC-721Blockchain: Ethereum This work is accompanied by an inkjet print signed, numbered and inscribed by the artist.&nbsp; Harold Cohen (1928 - 2016) 0311-32 (i23-3405) Signed, titled, dated November 2002, and numbered 1 / 3. The Harold Cohen Trust notes that the artist has signed this print as 2002 but has concluded this was an error. The file name 0311-32 refers to the year 2003, the month November and the 32nd Aaron generated work in that month.' inkjet print with pigment ink on paper Print: 45 by 90 in. 114.3 by 228.6 cm. Framed: 50 by 95 in. 127 by 241.3 cm. Executed in 2003, the Harold Cohen Trust and archives have no evidence of numbers 2 and 3 ever having been printed.

0311-32 (i23-3405)

Harold Cohen (1928 - 2016)0309-06 (i23-3370)Artificial intelligence software (AARON)File Type JPEGComment LEAD Technologies Inc V1.01Image Size 1601 by 1801 pixelsExecuted in 2003, this digital work is unique and was reproduced on paper by the artist.&nbsp; The AARON program generated a vector file in a custom format designed by the artist called the ‘AA’ format. The program generated both a vector file for the black line drawing and also a color file. These two different files were merged together in the ‘AA” format which further included additional information about how to make the artwork. These ‘AA’ files were referred to as the AARON Artwork descriptor files and were used to create the JPEGS. Sep 7, 2004 ps6.ps AARON Artwork Postscript file generated Sep 30, 2024 Harold Cohen's studio manager, Thomas Machnik, converts file to jpeg, renames file to 0309-06 (i23-3370) HCTProcessed.jpg This digital work was tokenized by the Harold Cohen Trust in partnership with Verisart for on-chain certification and is accompanied by a holographic certificate stamped by the Harold Cohen Trust and an NFC tag. The NFC tag is placed on the back of the work ensuring the pairing of the token, the certificate and the physical print remain connected. Token ID: 3Smart Contract: 0x0dde8a44810b6e6ed4b57e5d890a2d7daa01a326Token Standard: ERC-721Blockchain: Ethereum This work is accompanied by an inkjet print signed, numbered and inscribed by the artist.&nbsp; Harold Cohen (1928 - 2016)0309-06 (i23-3370)Signed, titled, dated September&nbsp;2003, and numbered&nbsp;1 / 3.inkjet print with pigment ink on paperPrint: 45 by 50.5 in.&nbsp;114.3 by 128.27 cm.Framed: 49.5 by 50.125 in.&nbsp;125.7 by 127.3 cm.Executed in 2003, the Harold Cohen Trust and archives have no evidence of numbers 2 and 3 ever having been printed.

0309-06 (i23-3370)

Harold Cohen (1928 - 2016)040502 (i23-3377)Artificial intelligence software (AARON)File Type JPEGComment LEAD Technologies Inc V1.01Image Size 988 by 1275 pixelsExecuted in 2004, this digital work is unique and was reproduced on paper by the artist.&nbsp; The AARON program generated a vector file in a custom format designed by the artist called the ‘AA’ format. The program generated both a vector file for the black line drawing and also a color file. These two different files were merged together in the ‘AA” format which further included additional information about how to make the artwork. These ‘AA’ files were referred to as the AARON Artwork descriptor files and were used to create the JPEGS. May 25, 2004 aa1 AARON Artwork descriptor file generatedFeb 1, 2005 Harold Cohen completes jpeg conversion, names file 040501.jpgSept 30, 2024 Harold Cohen Trust renames file to 040502 (i23-3377) Harold Cohen.jpg This digital work was tokenized by the Harold Cohen Trust in partnership with Verisart for on-chain certification and is accompanied by a holographic certificate stamped by the Harold Cohen Trust and an NFC tag. The NFC tag is placed on the back of the work ensuring the pairing of the token, the certificate and the physical print remain connected. Token ID: 9Smart Contract: 0x0dde8a44810b6e6ed4b57e5d890a2d7daa01a326Token Standard: ERC-721Blockchain: Ethereum This work is accompanied by an inkjet print signed, numbered and inscribed by the artist.&nbsp; Harold Cohen (1928 - 2016)040502 (i23-3377)Signed, titled, dated May 2004, and numbered 1 / 3.inkjet print with pigment ink on paperPrint: 45.875 by 58.25 in. 116.4 by 147.64 cm.Framed: 48 by 61 in.&nbsp;121.92 by 154.94 cm.Executed in 2004, the Harold Cohen Trust and archives have no evidence of numbers 2 and 3 ever having been printed.

040502 (i23-3377)

Tomokazu MatsuymaFirst Date OblivionsMinted in June 2022NFT ed. of 5

First Date Oblivions

Harold Cohen (1928 - 2016)030804 (i23-3373)Artificial intelligence software (AARON)File Type JPEGComment LEAD Technologies Inc V1.01Image Size 1333 by 1500 pixelsExecuted in 2003, this digital work is unique and was reproduced on paper by the artist.&nbsp; The AARON program generated a vector file in a custom format designed by the artist called the ‘AA’ format. The program generated both a vector file for the black line drawing and also a color file. These two different files were merged together in the ‘AA” format which further included additional information about how to make the artwork. These ‘AA’ files were referred to as the AARON Artwork descriptor files and were used to create the JPEGS. Aug 2, 2003 aa4 AARON Artwork descriptor file generatedOct 13, 2004 Harold Cohen completes jpeg conversion, names file 030804.jpgSept 30, 2024 Harold Cohen Trust renames file to 030804 (i23-3373) Harold Cohen.jpg This digital work was tokenized by the Harold Cohen Trust in partnership with Verisart for on-chain certification and is accompanied by a holographic certificate stamped by the Harold Cohen Trust and an NFC tag. The NFC tag is placed on the back of the work ensuring the pairing of the token, the certificate and the physical print remain connected. Token ID: 6Smart Contract: 0x0dde8a44810b6e6ed4b57e5d890a2d7daa01a326Token Standard: ERC-721Blockchain: Ethereum This work is accompanied by an inkjet print signed, numbered and inscribed by the artist.&nbsp; Harold Cohen (1928 - 2016)030804 (i23-3373)Signed, titled, dated May 2003, and numbered 1 / 5.inkjet print with pigment ink on paperPrint: 39 by 45 in. 99.06 by 114.3 cm.Framed: 49.5 by 50.25 in. 125.7 by 127.6 cm.Executed in 2003, the Harold Cohen Trust and archives have no evidence of numbers 2, 3, 4 and 5 ever having been printed.

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