This rare pair is a collaboration between Nike and Undefeated in commemoration of the hit HBO television show&nbsp;Entourage. The Blue Premium “Georges Entourage” was the first sneaker Undefeated and Nike designed in honor of the show. It was made in addition to the Gold Fukijama Air Force 1 featured in the same episode.&nbsp;&nbsp; In the show, Salvatore “Turtle” Assante spends an entire episode devoted to hunting down the Blue Fukijama Air Force 1. Though Fukijama is a fictional artist, the sneaker's pop culture history has led it to be a much sought-after item for collectors. The striking Air Force 1 features a laser-etched design on Blue &amp; White leather panels. The heels feature “LA” and “Queens Boulevard” text, referencing the character’s residence in LA, as well as Vincent Chase’s breakout performance in the fictional movie “Queens Boulevard.”&nbsp; Originally released in 1982, the Air Force 1 is named after the presidential aircraft. Designed by Bruce Kilgore, it was the first basketball shoe to feature revolutionary air pocket technology. Today, it is one of Nike’s most iconic, best-selling sneakers.<ul><li>Nike Air Force 1 Low Premium “Georges Entourage” sample.</li><li>University blue and white tumbled leather upper.</li><li>Laser-etched designs on tongue and heel.</li><li>Style number: BMB490</li><li>Color code: M5-C1</li><li>This item is final sale and not eligible for return.</li></ul>

Nike Air Force 1 Low Premium Georges Entourage Sample | Size 12

Treasures of a Flourishing Age: The Songde Tang Collection of Ming Porcelain

the ovoid body painted with a continuous scene depicting the Tang poet Li Bai, shown in official attire kneeling before Emperor Xuanzong, his military entourage, and a foreign envoy presenting a letter in a mountainous landscape, all between incised decorative scrolls, the tall neck encircled by a band of stylised pendent leaves, the domed cover decorated with the Western Han literary figure Sima Xiangru inscribing a pillar on the bridge, accompanied by a female attendant and a groom tending to his pack horse, wood stand

the ovoid body painted with a continuous scene depicting the Tang poet Li Bai, shown in official attire kneeling before Emperor Xuanzong, his military entourage, and a foreign envoy presenting a letter in a mountainous landscape, all between incised decorative scrolls, the tall neck encircled by a band of stylised pendent leaves, the domed cover decorated with the Western Han literary figure Sima Xiangru inscribing a pillar on the bridge, accompanied by a female attendant and a groom tending to his pack horse, wood stand overall h. 31 cm

View 1 of Lot 823: A finely painted blue and white 'Li Bai' jar and cover, Ming dynasty, Chongzhen period | 明崇禎　青花「李白醉草嚇蠻書」蓮子蓋罐

a finely painted blue and white 'li bai' jar and cover, ming dynasty, chongzhen period | 明崇禎　青花「李白醉草嚇蠻書」蓮子蓋罐

Fine Jewelry

Composé d'un rang de perles d'émeraudes godronnées, centré d'un noeud serti de diamants taille brillant et d'émeraudes calibrées, retenant en pendentif une émeraude cabochon gravée dans un entourage de diamants taille brillant.

Composé d'un rang de perles d'émeraudes godronnées, centré d'un noeud serti de diamants taille brillant et d'émeraudes calibrées, retenant en pendentif une émeraude cabochon gravée dans un entourage de diamants taille brillant. Longueur 440 mm environPoinçon français d'import pour l'or 18K (750°/00)Poids brut 62.20 gAccompagnée d'un certificat GRS no. GRS2025-107569, en date du 1er novembre 2025, indiquant l'origine de Colombie et un huilage modéré pour l'émeraude gravéeElement de broche au dos du noeud, transformations

View 1 of Lot 199: Collier émeraudes et diamants 

collier émeraudes et diamants

Books, Manuscripts & Objects from Three Important Collections

Lord Alfred Douglas Autograph letter signed, to W.T. Stead, an exceptional and revealing letter thanking Stead for his support in the aftermath of Oscar Wilde’s trial, writing with great passion and sorrow about his own suffering and Wilde’s imprisonment, apologising for his previous low opinion of Stead (“…I can even remember quarrelling with Oscar Wilde about you & reproaching him for what I thought was a paradoxical & sophistical defence of you sustained in a spirit of contradiction…”), and expressing his relief at news that Wilde has been moved to the prison infirmary (“…If only I could be sure that he is not likely to be removed from it and sent back to the original regime…”), 6 pages, 8vo (180 x 110 mm), Villa Caso, Capri, 15 November 1895, minor spotting and creasing “…I know some of my fears are exaggerated and absurd, but I think there is no doubt that if one really loves anyone one feels any suffering he undergoes infinitely more than if one were undergoing oneself. What makes me more unhappy than anything else is the feeling that my friend is bearing nearly all the burden and I so comparatively little […] People look upon me as […] the victim of his superior age and wisdom and therefore an object of pity, while they reserve their execration for him. All this is so utterly wide of the real truth. So far from his leading me astray it was I that (unwittingly) pushed him over the precipice. He had lived 36 years without seeing me and then I came and dragged into his life all the influences of our morbid half insane heritage which reaches it highest point in that terrible father of mine, the most disagreeable of all lunatics because he will never do anything overtly insane enough to get himself shut up…” AN EXCEPTIONALLY HONEST LETTER BY BOSIE ON HIS RELATIONSHIP WITH WILDE. This letter was written at a time when Oscar Wilde was in Wandsworth Prison following his conviction for gross indecency, had been declared bankrupt, and was in failing health as a result of the conditions of prison life. An attack of dysentery had necessitated Wilde's transfer to the prison infirmary. Douglas was forbidden by the prison authorities from corresponding with Wilde so was dependent on third parties for news of his lover's terrible predicament. Douglas is not an easily sympathetic character. He had encouraged Wilde's ill-fated libel action against his father but then evaded the consequences: whilst Wilde was languishing in jail, Douglas had exiled himself to a villa in Capri. Around the time of this letter he was also making plans to publish Wilde's love letters to him without Wilde's permission and in a manner that would do nothing to help Wilde and would heap further humiliation on his wife and family. The vanity, arrogance and greed Wilde describes in De Profundis are evident all too often in Douglas's behaviour and writing. However, Douglas wrote this letter at a time when he knew that Wilde had begun to dwell on his shortcomings and whilst the letter is hardly free of self-pity, it does show Douglas reflecting on the terrible harm he had inflicted on his lover. Douglas's correspondent here was the pioneering investigative journalist W.T. Stead (1849–1912), who was then editor of The Pall Mall Gazette and Review of Reviews. Douglas had previously written to Stead on 28 June 1895 commenting at length on the extent of homosexuality in Britain, and defending its practice. Stead refused to publish the letter. It was produced as evidence against Douglas in his libel suit against Arthur Ransome in June 1913 (a year after Stead himself had drowned on the Titanic). PROVENANCE: Sale in these rooms, 19 July 1994, lot 150

View 1 of Lot 112: Oscar Wilde—Lord Alfred Douglas | Autograph letter signed, by Douglas, to W.T. Stead, on his relationship with Wilde, 1895

Results for "entourage"