Prints Part II

David Hockney b. 1937 Grey Blooms (Museum of Contemporary Art, Tokyo 305) signed in pencil, dated and numbered 27/50 home-made print executed on an office copy machine on two sheets of Arches laid paper (as issued) sheet: 14 by 17 in. 354 by 430 mm. Executed in 1986, this impression is number 27 from the edition of 50, published by the artist.

View 1 of Lot 250: Grey Blooms (Museum of Contemporary Art, Tokyo 305)

grey blooms (museum of contemporary art, tokyo 305)

David Hockney b. 1937 What is this Picasso?, from The Blue Guitar (Scottish Arts Council 218; Museum of Contemporary Art, Tokyo 197) signed in pencil and numbered 103/200 etching and aquatint printed in colors on Inveresk mould-made paper plate: 13 ½ by 16 ¾ in. 345 by 426 mm. sheet: 18 by 20 ⅝ in. 458 by 524 mm. Executed in 1976-77, this impression is number 103 from the edition of 200 plus 35 artist's proofs, published by Petersburg Press.

View 1 of Lot 247: What is this Picasso?, from The Blue Guitar (Scottish Arts Council 218; Museum of Contemporary Art, Tokyo 197)

what is this picasso?, from the blue guitar (scottish arts council 218; museum of contemporary art, tokyo 197)

Property from the Petersburg Press Archives

Property from the Petersburg Press Archives David Hockney b. 1937 Mirror Mirror on the Wall (Scottish Arts Council 10; Museum of Contemporary Art, Tokyo 10) etching and aquatint printed in red and black on English handmade paper plate: 15 ⅞ by 19 ⅝ in. 404 by 500 mm. sheet: 22 ½ by 31 ⅛ in. 573 by 792 mm. Executed in 1961, this impression is an archive proof aside from the numbered edition of approximately 50, printed by Ron Fuller and Peter Matthews at the Royal College of Art.

View 1 of Lot 248: Mirror Mirror on the Wall (Scottish Arts Council 10; Museum of Contemporary Art, Tokyo 10)

mirror mirror on the wall (scottish arts council 10; museum of contemporary art, tokyo 10)

The Geri Brawerman Collection: A Tribute to Los Angeles and A Legacy of Giving

The Geri Brawerman Collection: A Tribute to Los Angeles and A Legacy of Giving David Hockney b. 1937 Celia Elegant (Museum of Contemporary Art, Tokyo 224) signed in colored pencil, dated and numbered 15/100 lithograph on Toyoshi 80 paper sheet: 40 ⅜ by 29 ½ in. 1024 by 751 mm. Executed in 1979, this impression is number 15 from the edition of 100 plus 16 artist's proofs, with the blindstamp of the publisher, Gemini G.E.L., and with their inkstamp on the verso.

View 1 of Lot 252: Celia Elegant (Museum of Contemporary Art Tokyo, 224)

celia elegant (museum of contemporary art tokyo, 224)

David Hockney b. 1937 Big Celia Print #1 (Museum of Contemporary Art, Tokyo 252) signed in pencil, dated and numbered 59/100 lithograph on Arches Cover paper sheet: 47 ¼ by 56 ¼ in. 1200 by 1430 mm. Executed in 1982, this impression is number 59 from the edition of 100, with the blindstamp of the publisher, Gemini G.E.L., and with their inkstamp on the verso.

View 1 of Lot 251: Big Celia Print #1 (Museum of Contemporary Art, Tokyo 252)

big celia print #1 (museum of contemporary art, tokyo 252)

The Now & Contemporary Evening Auction

Property from The Sheryl and Harvey White Trust Collection

Property from The Sheryl and Harvey White Trust Collection David Hockney b. 1937 The Valley, Mountains in Var (Near La Garde Freinet) signed, titled and dated 1970 (on the reverse) acrylic on canvas 36 by 48 in. 91.4 by 121.9 cm. Executed in 1970.

View 1 of Lot 16: The Valley, Mountains in Var (Near La Garde Freinet)

the valley, mountains in var (near la garde freinet)

David Hockney b. 1937 Mist, from The Weather Series (Scottish Arts Council 138; Museum of Contemporary Art, Tokyo 129) signed in blue crayon, dated and numbered 72/98 lithograph printed in colors on Arjomari mould-made paper image: 28 ⅞ by 25 ⅛ in. 735 by 640 mm. sheet: 36 ⅞ by 31 ⅞ in. 937 by 810 mm. Executed in 1973, this impression is number 72 from the edition of 98 plus 12 artist's proofs, with the blindstamp of the publisher, Gemini G.E.L., and with their inkstamp on the verso.

View 1 of Lot 249: Mist, from The Weather Series (Scottish Arts Council 138; Museum of Contemporary Art, Tokyo 129)

mist, from the weather series (scottish arts council 138; museum of contemporary art, tokyo 129)

This <a href="https://www.sothebys.com/en/search?query=SUMO+edition&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">SUMO collector's edition</a> of&nbsp;A Bigger Book&nbsp;is a majestic visual survey of <a href="https://www.sothebys.com/en/search?query=david+hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Hockney</a>’s more than 60 years of work, from his teenage days at art school up to his recent extensive series of portraits, iPad drawings and Yorkshire landscapes.<ul><li>Sold as a set of 3: 2 volumes, 1 stand.</li><li>David Hockney (British).</li><li>Edited by Hans Werner Holzwarth (German).</li><li>Bookstand designed by Marc Newson (Australian).</li><li>Köln: Taschen, 2016.</li><li>498 pages.</li><li>Hardcover.</li><li>Collector's Edition No. 1,001–10,000, edition of 9,000.</li><li>Signed by Hockney.</li><li>13 foldouts plus an illustrated 680-page chronology book with an adjustable bookstand.</li></ul> Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

A Bigger Book

Extending, February, 1990, by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>.<ul><li>David Hockney (British, born 1937).</li><li>This work was commissioned by the Prints and Drawings Council of LACMA, Los Angeles and printed and published by the artist in June 1990.</li><li>Home-made Xerox print in color on laid paper.</li><li>Hand signed and numbered.</li><li>It is comprised of two sheets, as issued.</li><li>This work is presented unframed.</li></ul> This home-made Xerox is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is dated in pencil “90” [1990] next to the signature. It is also hand numbered in pencil from the edition of 50, at the lower left corner. Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

Extending, February

A limited edition of 220 in 2020 by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>.<ul><li>Sold as a set of 2 volumes.</li><li>David Hockney (English).</li><li>Volume 1: 220 for 2020: containing IPad drawings by David Hockney, created from 2020-2021.</li><li>Volume 2: Los Angeles and La Grande Cour 2019: A fascimile of 2 sketchbooks made by David Hockney in 2019.</li><li>TASCHEN: 2021.</li><li>Part of an edition of 2020 plus 80 artists' proofs.</li><li>Numbered 1405/2020.</li><li>Housed in a blue clamshell box.</li></ul>

220 in 2020

Celia - Adjusting her Eyelash, 1979, by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>.<ul><li>David Hockney (British, born 1937).</li><li>Printed and published at Gemini G.E.L., Los Angeles.</li><li>Lithograph on Twinrocker handmade paper.</li><li>Hand signed and numbered.</li><li>This work is presented unframed.</li></ul> This original lithograph is hand signed in green pencil by the artist "Hockney" in the lower right margin. It is also dated "79" (1979) in pencil. It is hand numbered and inscribed in green pencil AP XVI next to the signature. It is one of sixteen artists proofs aside from the standard edition of 100 numbered with Arabic numerals. The paper bears the Gemini G.E.L. blind stamp and the Twinrocker watermark. There is another impression of this work in the collection of the National Gallery of Australia. Hockney and Celia Birtwell, a fashion designer, met in 1968 in Portobello Road. She soon began to appear in the artist’s work, but particularly in his prints. She sits for 30 portraits, which compose about a quarter of his total printed portrait oeuvre. Many of the Celia portraits recall those made by Matisse and Degas. Celia Birtwell said: “We have always felt completely comfortable in each other’s company. We amused each other. I found posing for him to be a very intimate, and silent, affair…Before commencing we have a conversation about how he wants me to look. I could look left or right. He may say, ‘Move your arm.’ ‘Sit further back.’ ‘Look out of the window.’ then comes the moment when he suddenly says, ‘I like that.’ whilst he’s drawing me I can see the intensity, struggle and concentration on his face. The intensity is extraordinary. After an hour or so he’ll say, ‘do you want to take a break, luvvie?’ Sometimes I take a peek at the portrait, other times I prefer to wait until it’s finished. He always says he doesn’t appeal to vanity. Whatever my feelings are, they are always amazing.” Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

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